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Dancing with Dandelions or One O'clock Wish is a sculpture depicting a fairy who appears to be fighting the wind while holding a dandelion. It was created by Robin Wight, an artist from Staffordshire. The artist now produces a series of wire sculptures featuring fairies and dandelions.
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The Dance of Time: Three Nymphs Supporting a Clock is a work by the French sculptor Claude Michel (1738–1814), known as Clodion. Executed in 1788, it includes three terracotta female figures, frequently described as nymphs, dancing around a column that supports a pendulum clock with rotating annular dial by Jean-Baptiste Lepaute (1727–1802), the younger brother of Jean-André Lepaute. [1]
No Figure HN453 The Gainsborough Hat Red, blue and green Harry Tittensor 1921 1938 HN454 The Smiling Buddha Green-blue Charles J Noke 1921 1938 HN455 A Mandarin (Style Two) Green Charles J Noke 1921 1938 HN456 Myfanwy Jones (also called The Welsh Girl) Green and brown Ernest W Light 1921 1938 HN457 Crouching Nude Cream, green base Unknown 1921
Robin Wight has created four Dancing with Dandelions sculptures, which he calls "One o'clock Wish". He called it his signature piece and has said it is the most requested sculpture. He claims that a 20 second video of the sculpture he called Living the Dream went viral in 2014. [1]
The clock, with 43 bells and 32 life-size figures, was added during the completion of the Neues Rathaus (New Town Hall) in 1908. [2] Every day at 11 a.m. and 12 p.m. (as well as 5 p.m. from March to October) [3] the clock re-enacts two stories from Munich’s history from the 16th century, taking about 15 minutes.
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".This photographic reproduction is therefore also considered to be in the public domain in the United States.
The illusion derives from the lack of visual cues for depth. For instance, as the dancer's arms move from viewer's left to right, it is possible to view her arms passing between her body and the viewer (that is, in the foreground of the picture, in which case she would be circling counterclockwise on her right foot) and it is also possible to view her arms as passing behind the dancer's body ...