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While not as highly regarded as films of the preceding Weimar Republic era, [citation needed] the films of Nazi Germany, mainly made under control of Joseph Goebbels, hold a fascination for many, [citation needed] both as historical documents of one of the most important periods of 20th century history, as well as for their own artistic merit.
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In World War II, a Romanian gentile peasant is denounced by the village gendarme and sent to a concentration camp for Jews where, due to an error, he's drafted into the S.S. 1967 United States The Dirty Dozen: Robert Aldrich: Thriller based on E. M. Nathanson novel. US Army convicts on mission before D-Day: 1967 Italy Dirty Heroes: Dalle ...
[34] [39] In 1946 DEFA produced The Murderers are Among Us, which was the first German film released after World War II and created the groundwork for the so-called Trümmerfilme, or rubble films, which were filmed amidst the rubble of structures bombed during World War II. [40]
Germany portal; This set category ... Nazi World War II propaganda films (12 P) R. German war romance films (2 P) W. German World War I films (28 P) German World War ...
The territorial changes of Germany after World War II can be interpreted in the context of the evolution of global nationalism and European nationalism. The latter half of the 19th century and the first half of the 20th century saw the rise of nationalism in Europe. Previously, a country consisted largely of whatever peoples lived on the land ...
The film or miniseries must be concerned with World War II (or the War of Ethiopia and the Sino-Japanese War) and include events which feature as a part of the war effort. For short films, see the List of World War II short films. For documentaries, see the List of World War II documentary films and the List of Allied propaganda films of World ...
Trümmerfilm (English: Rubble film) was an aesthetic choice for those films made directly after World War II dealing with the impact of the battles in the countries at the center of the war. The style was mostly used by filmmakers in the rebuilding film industries of Eastern Europe, Italy and the former Nazi Germany.