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The Thames from the Terrace of Somerset House, Looking toward St. Paul's (Yale Center for British Art, New Haven, Connecticut) A View of the Molo and the Riva degli Schiavone in Venice (Yale University Art Gallery, New Haven) Andrea Casali paints Lucretia (approximate date) Nihâl Chand paints Bani Thani (approximate date)
The 1750s (pronounced "seventeen-fifties") was a decade of the Gregorian calendar that began on January 1, 1750, and ended on December 31, 1759. The 1750s was a pioneering decade. The 1750s was a pioneering decade.
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View history; General What links here ... 1750s; 1760s; 1770s; 1780s; 1790s; 1800s; Subcategories. This category has the following 5 subcategories, out of 5 total. A ...
[22] [23] In this way, the Rococo definitely raises in Western art the question of aestheticism, in the very ambiguity that surrounds its representational method and its essential goals, making clear the primordial convention that if painting exists, it exists for an observer and to be looked at, but handing over to future generations the ...
By the mid-19th century, art critics and historians had adopted the term baroque as a way to ridicule post-Renaissance art. This was the sense of the word as used in 1855 by the leading art historian Jacob Burckhardt, who wrote that baroque artists "despised and abused detail" because they lacked "respect for tradition". [18]
1974 in art – For the first time in art history, the chemogram invented by Josef H. Neumann closed the separation of the painterly background and the photographic layer in a symbiosis of painting and real photographic perspective.