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Metal crafts by the Moro people decorate a variety of objects, and are inscribed with the okir motif. [167] Metal crafts also decorate religious objects such as altars, Christian statues, and vestments. Apalit, in Pampanga, is a center of the craft. [168]
The United Nations Educational, Scientific and Cultural Organisation (UNESCO) intangible cultural heritage elements are the non-physical traditions and practices performed by a people.
The culture of the Philippines is characterized by cultural and ethnic diversity. [1] Although the multiple ethnic groups of the Philippine archipelago have only recently established a shared Filipino national identity, [2] their cultures were all shaped by the geography and history of the region, [3] [4] and by centuries of interaction with neighboring cultures, and colonial powers.
These lists contain an overview of the government recognized cultural properties in the Philippines. The lists are based on the official lists provided by the National Commission for Culture and the Arts , National Historical Commission of the Philippines , and the National Museum of the Philippines .
Spanish colonial era church in the baroque style with outstanding and culturally significant rococo altar pieces: 2016 [60] National Museum of Fine Arts Building (Old Legislative Building); Old Legislative Building Historical Landmark Ermita, Manila: 1918: Designed Arc. Ralph Harrington Doane and Antonio Toledo.
The National Artists of the Philippines is based on broad criteria, as set forth by the Cultural Center of the Philippines and the National Commission on Culture and the Arts: [2] Living artists who have been Filipino citizens for the last ten years prior to nomination as well as those who have died after the establishment of the Award in 1972 ...
Detail of a panolong with a naga motif, from the National Museum of Anthropology. Okir, also spelled okil or ukkil, is the term for rectilinear and curvilinear plant-based designs and folk motifs that can be usually found among the Moro and Lumad people of the Southern Philippines, as well as parts of Sabah.
The Philippines, with the National Commission for Culture and the Arts [1] as the de facto Ministry of Culture, [2] ratified the 2003 Convention after its formal deposit in August 2006. [3] This implies that there is an obligation to carry out the objectives of the convention to ensure the safeguarding of intangible cultural heritage.