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Billy Joel announces "Johnny Almond on sax," after an April 1975 live performance of "New York State of Mind", including a saxophone solo, on his album Live at The Great American Music Hall (1975). Almond's version is unique, but contains similar sentimental and jazzy qualities that would later appear on the Turnstiles album. [5]
"N.Y. State of Mind" is a song by hip hop recording artist Nas from his debut studio album Illmatic (1994). The song's production was handled by DJ Premier who sampled two jazz songs: "Mind Rain" by Joe Chambers and "Flight Time" by Donald Byrd. [1] Premier additionally scratched up vocal samples from Eric B. & Rakim's "Mahogany" for the song's ...
The song's title, similar to "New York State of Mind" by Billy Joel and "N.Y. State of Mind" by Nas, is a play on and tribute to New York's nickname "Empire State". The song originally featured Hunte on the hook, but when Hunte and Sewell-Ulepic were asked if they thought anyone else would be more appropriate for the chorus, Hunte suggested Keys.
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The Lutheran Michael Praetorius composed a mass for double choir in the old style, which he published in 1611 in the collection of church music for the mass in Latin, Missodia Sionia. Composers such as Henri Dumont (1610–1684) continued to compose plainsong settings, distinct from and more elaborate than the earlier Gregorian chants.
The New York State School Music Association (NYSSMA) is the New York affiliate of National Association for Music Education.NYSSMA is a professional organization that evaluates student musicians in New York state from elementary school to high school.
Original cover to the vocal score of the mass, published by Boosey & Hawkes. Igor Stravinsky composed his Mass between 1944 and 1948. This 19-minute setting of the Roman Catholic Mass exhibits the austere, Neoclassic, anti-Romantic aesthetic that characterizes his work from about 1923 to 1951. The Mass also represents one of only a handful of ...
The new song, "Theme from New York, New York", begins with one of Kander's famous vamps, this one derived from the ragtime practice of putting the melody underneath a repeated note. [ 3 ] : 25–6 Liza Minnelli's performance was released as a single from the soundtrack album and peaked at #104 on the Billboard chart.