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Broadcasters use compressors in order that their station sounds louder than comparable stations. The effect is to make the more heavily compressed station jump out at the listener at a given volume setting. [12] This is not limited to inter-channel differences; they also exist between programme material within the same channel.
The practice of focusing on loudness in audio mastering can be traced back to the introduction of the compact disc, [3] but also existed to some extent when the vinyl phonograph record was the primary released recording medium and when 7-inch singles were played on jukebox machines in clubs and bars.
In modern recording, this range is often limited through dynamic range compression, which allows for louder volume, but can make the recording sound less exciting or live. [50] The dynamic range of music as normally perceived in a concert hall does not exceed 80 dB, and human speech is normally perceived over a range of about 40 dB. [28]: 4
10.2 is the surround sound format developed by THX creator Tomlinson Holman of TMH Labs and University of Southern California (schools of Cinema/Television and Engineering). Developed along with Chris Kyriakakis of the USC Viterbi School of Engineering , 10.2 refers to the format's promotional slogan: "Twice as good as 5.1".
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Using a combination of sound absorption materials, arrays of microphones and speakers, and a digital processor, a restaurant operator can use a tablet computer to selectively control noise levels at different places in the restaurant: the microphone arrays pick up sound and send it to the digital processor, which controls the speakers to output ...
As a technology journalist with over 30 years covering consumer electronics, I have considerable experience in this area. And as a certified TV junkie who logs more hours on the couch than I care ...
A typical sound reinforcement system consists of; input transducers (e.g., microphones), which convert sound energy such as a person singing into an electric signal, signal processors which alter the signal characteristics (e.g., equalizers that adjust the bass and treble, compressors that reduce signal peaks, etc.), amplifiers, which produce a ...