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Women's fashions of the early 16th century consisted of a long gown, usually with sleeves, worn over a kirtle or undergown, with a linen chemise or smock worn next to the skin. The high-waisted gown of the late medieval period evolved in several directions in different parts of Europe.
The wide silhouette, conical for women with breadth at the hips and broadly square for men with width at the shoulders had reached its peak in the 1530s, and by mid-century a tall, narrow line with a V-lined waist was back in fashion. Sleeves and women's skirts then began to widen again, with emphasis at the shoulder that would continue into ...
A satirical poem describing women's riding garments in the Maitland Quarto using the form fartigard may mean a safeguard. [31] The word "safeguard" for the women's riding garment, as in England, appears in a number of Scottish 16th- and 17th-century wills. [32]
Women in Medieval Scotland includes all aspects of the lives and status of women between the departure of the Romans from North Britain in the fifth century to the introduction of the Renaissance and Reformation in the early sixteenth century. Medieval Scotland was a patriarchal society, but how exactly patriarchy worked in practice is ...
Kirtles were part of fashionable attire into the middle of the 16th century, and remained part of country or middle-class clothing into the 17th century. [ citation needed ] Kirtles began as loose garments without a waist seam, changing to tightly fitted supportive garments in the 14th century .
A farthingale is one of several structures used under Western European women's clothing - especially in the 16th and 17th centuries - to support the skirts in the desired shape and to enlarge the lower half of the body. The fashion originated in Spain in the fifteenth century. Farthingales served important social and cultural functions for ...
In 1511 he made her gowns, "shaffrons" or head dresses, a French hood, altered and mended her clothing, and supplied ribbons, cuffs, and collar bands. [9] Spittell recycled or "translated" an old white satin gown into a kirtle with a new lining of "Scottish black" for Margaret Tudor in 1511. [10]
Women from the 14th century wore laced ankle-boots, which were often lined with fur. Later in the 15th century, women began to wear long-toed footwear styled on men's poulaines. They used outer shoes called pattens—often themselves with elongated toes during this era—to protect their shoes proper while outside. [34]