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This list is of songs that have been interpolated by other songs. Songs that are cover versions, parodies, or use samples of other songs are not "interpolations". The list is organized under the name of the artist whose song is interpolated followed by the title of the song, and then the interpolating artist and their song.
Teddy Craven of The Daily Campus described "Duckworth" as Damn's "strongest song" and "ends the album with a fantastic philosophical mic-drop." [11] Craven compared the track to "Sing About Me, I'm Dying of Thirst" from Lamar's second studio album Good Kid, M.A.A.D City, a song that also tells personal stories about the unexpected consequences of Lamar's music. [11]
"Rapper's Delight" peaked at number 36 in January 1980 on the US Billboard Hot 100 chart, [15] number four on the Billboard Hot Soul Singles chart in December 1979. The song was much more successful internationally, reaching number one on the Canadian Top Singles chart in January 1980, [16] number one on the Dutch Top 40, and number three on the UK Singles Chart.
A rhyme scheme is the pattern of rhymes at the end of each line of a poem or song. It is usually referred to by using letters to indicate which lines rhyme; lines designated with the same letter all rhyme with each other. An example of the ABAB rhyming scheme, from "To Anthea, who may Command him Anything", by Robert Herrick:
For example, in his poem ‘The Axolotl’ he rhymes "axolotl" with "whaxolotl". [4] Gerard Manley Hopkins (1844–89) is one of few poets who used multisyllabic rhymes to convey non-satirical subject matter. [5] An example of this is ‘The Bugler's First Communion’, [5] where he rhymes "boon he on" with "Communion".
Kurtis Blow was barely 21 when “The Breaks” stopped hip-hop fans in their tracks. Released in 1980 as a follow-up to his debut single, “Christmas Rappin’,the song’s funky bassline ...
The video and song name is a reference to the famous western starring actor Clint Eastwood, The Good, the Bad and the Ugly. An interpolation of the yell from the film's theme song, in particular that film's protagonist Tuco's leitmotif, can be heard at the beginning of the video, followed by sinister laughter from Murdoc. The notes that the ...
The official music video, released on the same day as the song, was directed by NF and Patrick Tohill. It opens with NF stranded on a wooden raft in the middle of an ocean and in an all-white outfit, [1] [2] [5] rapping as he finds his way to the shore. Later, a clone of himself clothed entirely in black misguides NF around the island before ...