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The following other wikis use this file: Usage on en.wikisource.org Index:Æsop's fables- (IA aesopfables00aesoiala).pdf; Page:Æsop's fables- (IA aesopfables00aesoiala).pdf/1
In addition there was an English-language version set by Bob Chilcott as the fourth in his Aesop's Fables for piano and choir (2008); [54] [55] and a purely musical interpretation for small orchestra by Matt Fernald as the first part of his musical thesis composition, performed under the title An Evening with Aesop in 2013. [56] [57]
Toggle Aesop's Fables subsection. 1.1 Titles A–F. 1.2 Titles G–O. 1.3 Titles R–Z. 2 References. ... Download as PDF; Printable version; In other projects ...
Brownhills alphabet plate, Aesop's Fables series, The Fox and the Grapes c. 1880. Sharpe's limerick versions of Aesop's fables appeared in 1887. This was in a magnificently hand-produced Arts and Crafts Movement edition, The Baby's Own Aesop: being the fables condensed in rhyme with portable morals pictorially pointed by Walter Crane. [94]
Commentators have seen a likeness to the story, although only in the detail of dancing to the pipe, in Jesus's parable of the children playing in the market-place who cry to each other, "We piped for you and you would not dance; we wept and wailed and you would not mourn" (Matthew 11.16–17, Luke 7.31–2). [9]
Greece issued a 1987 set dedicated to Aesop's fables; the fox and the crow figures on the 32 drachma stamp. [50] Hungary issued sets dedicated to the fables in both 1960 and 1987; in the former the fox and the crow was on the 80 fillér(0.8 forint) stamp [51] and on the 2 forint stamp in the latter. [52] [53]
The fable was also included in Edward Hughes' Songs from Aesop's fables for children's voices and piano (1965), as the second of Anthony Plog's set for narrator, piano and horn (1989/93) [18] and among the fables set by Yvonne Gillespie for narrator and full orchestra
It is under the title "The Dog and the Bone" that the fable was set by Scott Watson (b. 1964) as the third in his "Aesop's Fables for narrator and band" (1999). [35] More recently, the situation has been used to teach a psychological lesson by the Korean choreographer Hong Sung-yup.