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Other tattoos for men include the babalakay, sun-like or cross-like tattoos on the thigh that represented spiders; and the hisi, a tattoo on the back of the hand to the middle of the forearm which is uniformly black except for a narrow untattooed line running along the pulse of the wrist. These tattoos are applied to all men as soon as they ...
Peʻa, Samoan male tattoo. The Peʻa is the popular name of the traditional male tatau of Samoa, also known as the malofie. [1] It is a common mistake for people to refer to the pe'a as sogaimiti, because sogaimiti refers to the man with the pe'a and not the pe'a itself.
The place for the tattoo is then cleaned by this leek juice mixture, a design is drawn by piercing and the combined mixture is then put on the skin. [3] Jacques de Morgan also observed the tattooing of Kurdish women in 1895, and mentioned that old women had most tattoos and were sometimes tattooed all over the body. When men were tattooed, it ...
Rabaris were known for their elaborate Trajva tattoos. They are usually done on the forearms, face, throat. The tattoo can have a range of meanings, including representations of fertility or skill milestones. Green sap from a nearby plant is mixed with soot to make the tattoos. [4]
Godna, also known as Khoda, is an ancient traditional form of tattoo art originating from the tribal communities of Northern and Central India. [1] [2] These tattoos are characterized by intricate designs and vivid colors, often depicting elements of nature, mythology, and daily life.
While the tradition itself originates with indigenous tribal animism, it became closely tied to the Hindu-Buddhist concept of yantra or mystical geometric patterns used during meditation. Tattoos of yantra designs were believed to hold magic power, and were used much like the kolam tattoos of India. For these people, religion is closely tied to ...
The tattooing practice is most often found in preliterate tribal communities, with women playing the chief role in this custom, both performing the ritual of applying tattoos and wear them. Among other things the tattoos may have been a symbol of sexual maturity, ancestry and tribal affiliations, as well as religious beliefs. [6]
Tattoo patterns on the forearms of an Itneg woman from Balbalan, Kalinga (1906) [6] In The Inhabitants of the Philippines (1900), the author describes two subgroups of the Banao people (itself a subgroup of the Itneg or "Tinguian" people), the Busao and the Burik people, as having elaborate tattoos, though he also notes that the custom was in ...