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Holbeinesque jewellery includes pendants, brooches and earrings in the neo-Renaissance or Renaissance Revival style, and once again became fashionable in the 1860s. The designs differ from the older stylised and pious neo-Gothic jewellery, in that they are extravagantly opulent – this richness of form and colour which had appealed to the Tudor court was rediscovered by Victorian jewellers ...
Sir Thomas More wearing the Collar of Esses, with the Tudor rose badge of Henry VIII, by Hans Holbein the Younger (1527). A livery collar or chain of office is a collar or heavy chain, usually of gold, worn as insignia of office or a mark of fealty or other association in Europe from the Middle Ages onwards.
A necklace is an article of jewellery that is worn around the neck. ... 1400–1500: During the Renaissance it was fashionable for men to wear a number of chains, ...
Giuliano’s jewelry was known for its intricate enamel work and Renaissance Revival motifs, which drew inspiration from classical art and architecture. His pieces frequently employed champlevé and cloisonné enamel techniques, which allowed him to create rich, polychromatic designs.
With two remaining jewels of the Renaissance, the Côte-de-Bretagne red spinel and the Dragon perle, a pin shaped into the form of a delphin, the crown jewels collection contains as well among others, the emerald set and pearl earrings of Empress Josephine, the micromosaic [33] and the emerald and diamond [34] sets of Empress Marie Louise, the ...
By 1500 BC, the peoples of the Indus Valley were creating gold earrings and necklaces, bead necklaces, and metallic bangles. [citation needed] Before 2100 BC, prior to the period when metals were widely used, the largest jewellery trade in the Indus Valley region was the bead trade. Beads in the Indus Valley were made using simple techniques.