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Renaissance Chansons is mainly for those European songs which were extensively developed by many composers or were used (e.g. as cantus firmus) for mass settings, in the period 1400-1600. Pages in category "Renaissance chansons"
"Innsbruck, ich muss dich lassen" ("Innsbruck, I must leave thee") is a German Renaissance song. It was first published as a choral movement by the Franco-Flemish composer Heinrich Isaac (ca. 1450–1517); the melody was probably written by him.
Renaissance music flourished in Europe during the 15th and 16th centuries. The second major period of Western classical music, the lives of Renaissance composers are much better known than earlier composers, with even letters surviving between composers. Renaissance music saw the introduction of written instrumental music, although vocal works ...
"The Silver Swan" is the most famous madrigal by Orlando Gibbons. It is scored for 5 voices (in most sources, soprano (S), alto (A), tenor (T), baritone (Bar) and bass (B), although some specify SSATB instead) and presents the legend that swans are largely silent in life (or at least unmusical), and sing beautifully only just before their deaths (see swan song).
Renaissance music (1400–1600) Baroque music (1600–1750) Galant music (1720–1770) Classical period (1750–1820) Romantic music (1780–1910) 20th and 21st-centuries classical music (1900–present): Modernism (1890–1930) Impressionism (1875 or 1890–1925) Neoclassicism (1920–1950) High modernism (1930–present) Postmodern music ...
[7] [8] Matters are made more confusing as his father had lived in Cambridge for at least ten years before the birth of Gibbons. [9] Therefore, even though 17th-century biographer Anthony Wood discovered a record of an "Orlando Gibbons" being baptised in St Martin's Church, Oxford , [ 10 ] it was assumed that Gibbons was born in Cambridge but ...
Luigi Denza (1846–1922), Neapolitan song composer of Funiculì, Funiculà; Manuel De Peppe (born 1970) Manuel De Sica (1949–2014) Christian De Walden (born 1946) Eduardo Di Capua (1865–1917) Girolamo Diruta (c. 1554 – after 1610) Salvatore Di Vittorio (born 1967) Pino Donaggio (born 1941) Baldassare Donato (1525/30–1603), also known ...
Musicologists such as Matthew Head and Suzannah Clark believe that birdsong has had a large though admittedly unquantifiable influence on the development of music. [2] [3] Birdsong has influenced composers in several ways: they can be inspired by birdsong; [4] they can intentionally imitate bird song in a composition; [4] they can incorporate recordings of birds into their works; [5] or they ...