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For example, Polynesian tribal tattoos represent different meanings (e.g., accomplishments, location, personality, etc.) within the Polynesian culture. Many tribal tattoo designs include symmetry ...
The term "sleeve" is a reference to the tattoo's size similarity in coverage to a shirt sleeve on an article of clothing. The term is also sometimes used in reference to a large tattoo that covers a person's leg. [1] The most typical sleeve tattoo is a full sleeve, which covers the arm entirely in tattoos from the shoulder to the wrist. [2]
In some cases the tattoos were considered a receptor for divine strength or mana. They were manifestations of the Rapa Nui culture. Priests, warriors and chiefs had more tattoos than the rest of the population, as a symbol of their hierarchy. Both men and women were tattooed to represent their social class. [2] [3]
This early art practice includes wood carvings, petroglyphs, kākau (Hawaiian tattooing), kapa (barkcloth; called kapa in Hawaiian, and tapa elsewhere in the Pacific), kapa kilohana (decorated barkcloth), ipu pā wehe (decorated gourds), kāhili (featherwork), lauhala weaving (weaving, plait, or braiding leaves), and leiomano (shark-tooth ...
Pages in category "Polynesian tattooing" The following 6 pages are in this category, out of 6 total. This list may not reflect recent changes. M. Malu;
In the 1980s there was a shift in iconography from badge-like images based on flash to customized large tattoos influenced by Polynesian and Japanese tattoo art, such as sleeves. [9] By the year 2000, most tattoo studios had become custom shops, with the flash serving largely as a reference for ideas. Most tattoo designs are created by the ...
The Marquesas have a long history of complex geometric tattooing, covering the whole bodies of both men and women. [5] [6] Marquesan tattoos can be recognized by 'trademark symbols', such as geckos, centipedes, Ti'i's, the Marquesan Cross (which is also commonly confused with other designs) and other geometric designs. Marquesan designs ...
Painting by Gottfried Lindauer of a moko being carved into a man's face by a tohunga-tā-moko (tattooist) A collection of kōrere (feeding funnels). Historically the skin was carved by uhi [6] (chisels), rather than punctured as in common contemporary tattooing; this left the skin with grooves rather than a smooth surface.