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Hermann von Gilm, the author of the lyrics. In 1882, Strauss' friend, Ludwig Thuile, introduced Strauss to the poetry of Gilm contained in the volume Letzte Blätter (Last Pages), published in the year of the poet's death, (and the composer's birth), 1864, which contained the poem, Allerseelen. [2]
The following other wikis use this file: Usage on af.wikipedia.org Johann Strauss I; Usage on de.wikipedia.org Johann Strauss (Vater) Usage on es.wikipedia.org
The tone poems of Richard Strauss are noted as the high point of program music in the latter part of the 19th century, extending its boundaries and taking the concept of realism in music to an unprecedented level. In these works, he widened the expressive range of music while depicting subjects many times thought unsuitable for musical depiction.
", Op. 27, No. 1, is the first in a set of four songs composed by Richard Strauss in 1894. It was originally for voice and piano, and not orchestrated by Strauss until 1948, after he had completed one of his Four Last Songs, "Im Abendrot ". [2] The words are from a poem "Ruhe, meine Seele!" (Rest, my soul) written by the poet Karl Henckell.
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"Zueignung" was the first of eight songs by Strauss published as Op. 10, [4] which were all settings of Gilm's poems. In 1885, they were the first songs Strauss ever published. [ 4 ] The song was given its first public performance at Meiningen in a chamber concert on 5 March 1886 (along with three other Opus 10 songs "Nichts", " Allerseelen ...
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Schmutzer's Engraved portrait of Strauss, 1922 " Der Krämerspiegel" ("The Shopkeeper's Mirror"), Op. 66, is a 1918 song cycle of 12 songs written by Richard Strauss.The songs were set to texts commissioned by Strauss in a piqued response to a contractual obligation to produce a set of songs for his publisher. [1]