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Wayne Moss (born February 9, 1938, in South Charleston, West Virginia, United States) [1] is an American guitar player, bassist, record producer and songwriter best known for his session work in Nashville. In 1961, Moss founded Cinderella Sound recording studio. [2] In 2011 it was Nashville's oldest surviving independent studio. [3]
It was composed of area studio musicians under the tutelage of Wayne Moss and Mac Gayden. Barefoot Jerry was named after a country fiddle player who performed inside a store next to Gayden's home in the Smoky Mountains. [citation needed] Both Moss and Gayden had been lead guitarists for Area Code 615 and also for other 615 alumni.
Area Code 615 members Wayne Moss, Mac Gayden, and Kenny Buttrey went on to play with Nashville-based Barefoot Jerry, [2] while David Briggs later worked with Elvis Presley and Joan Baez. The band’s 1969 cover of " Classical Gas " was featured in Irish and UK Guinness TV commercials.
Jennings recorded the song on April 16, 1968, at RCA Victor Studios in Nashville, with Chet Atkins producing, with Wayne Moss playing the guitar solo. [4] It was released in July 1968 as the second single from Jennings' album Only the Greatest.
"Stuck Inside of Mobile with the Memphis Blues Again" was written by Dylan, [5] who sang and played harmonica on the song, with Kooper on organ, and members of the A-Team of studio musicians that had been engaged for the album sessions: Charlie McCoy, Wayne Moss and Joe South (guitars), Hargus Robbins (piano), Henry Strzelecki (electric bass ...
The guitar parts on the recording were performed by Chip Young [8] and Wayne Moss. [9] Young played the primary thumb-picked part with Moss playing the complementary steel-string part that enters on the second refrain. Young got the fingerpicking pattern from a similar pattern played by Joe South. [10]
Moss played bass, while Strzelecki played Kooper's organ. Kooper played a tambourine. [8] Producer Bob Johnston recalled, "all of us walking around, yelling, playing and singing." [9] Following one rehearsal, the song was recorded in a single take. [10] Guitarist Robertson missed the recording as he had left the studio to buy cigarettes. [10]
[6] [5] Johnston organized for experienced session musicians including Charlie McCoy, Wayne Moss, Kenneth Buttrey and Joe South to play with Dylan. [3] They were joined by Robbie Robertson and Al Kooper who had both played at earlier sessions. [3]