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The most prevalent character clown in the American circus is the tramp or hobo clown with a thick five-o'clock shadow and wearing shabby, crumpled garments. When working in a traditional trio situation, the character clown will play "contre-auguste" (a second, less wild auguste), siding with either the white or red clown.
Barry Lubin – "Grandma", star clown of the Big Apple Circus; Bim Bom – clown duo of early 20th Century Russia; Carequinha – Brazilian clown and actor, born in a circus to a circus family Brazil; Cepillín – Mexican clown; Cha-U-Kao - French clown, performer at the Moulin Rouge; Charlie Bell – American clown, Ringling Bros. circus
Charles D. Chase (1886 – September 26, 1964), known professionally as Charlie Bell, was a circus performer for Ringling Bros. and Barnum & Bailey Circus known for his work in Cecil B. DeMille's The Greatest Show on Earth. Known early in his career as the "world's greatest tumbler," he was part of an acrobatic troupe known as Rice, Bell and ...
The Circus Clown is a 1934 American Pre-Code comedy film about a man who wants to join the circus against the wishes of his ex-circus clown father. It stars Joe E. Brown and Patricia Ellis . Plot
Lou Jacobs in makeup, 1941. Johann Ludwig Jacob (January 1, 1903 – September 13, 1992), professionally known as Lou Jacobs, was a German-born American auguste clown who performed for Ringling Bros. and Barnum & Bailey Circus for more than 60 years.
WF Wallett, celebrated Clown and Jester, appearing before Queen Victoria, Prince Albert and the Royal Family, 11 July 1844 [1]. William Frederick "W.F." Wallett (November 1806 in Hull, England – 13 March 1892 at Beeston, Nottinghamshire, England) was a popular circus clown in Victorian England, who also enjoyed modest celebrity in the United States.
The painting depicts floating clowns amid the circus ring in the middle of the performance. [1] The subject of circus was dear to the artist. [2] Chagall often returned to the circus as a subject matter in his artworks. [3] He considered clowns, acrobats and actors as tragically human beings who are like characters in certain religious ...
Robert Edmund Sherwood (1864–1946 [1]) was an American circus clown and writer. Sherwood worked in circuses during the period of the late 19th and early 20th centuries and wrote two popular circus memoirs: Here We are Again: Recollections of an Old Circus Clown (1926) and Hold Yer Hosses! The Elephants are Coming! (1932).