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King of Jazz: Paul Whiteman; King of the Jazz Guitar: Django Reinhardt; King of the Jukebox: Louis Jordan; King of Swing: Benny Goodman a.k.a. "the Patriarch of the Clarinet", "the Professor", "Swing's Senior Statesman" Klook-Mop or Klook: Kenny Clarke; Knife (The): Pepper Adams
For a looser, more comprehensive A-Z list of jazz standards and tunes which have been covered by multiple artists, see the List of jazz tunes Index of articles associated with the same name This set index article includes a list of related items that share the same name (or similar names).
It is the most recorded jazz standard of all time. [2] In the 1930s, swing jazz emerged as a dominant form in American music. Duke Ellington and his band members composed numerous swing era hits that have become standards: "It Don't Mean a Thing (If It Ain't Got That Swing)" (1932), "Sophisticated Lady" (1933) and "Caravan" (1936), among others.
[3] Though Roach played with many types of ensembles, he always continued to play jazz. He performed with the Beijing Trio, with pianist Jon Jang and erhu player Jeibing Chen. His final recording, Friendship, was with trumpeter Clark Terry. The two were longtime friends and collaborators in duet and quartet.
"A Night in Tunisia" is a musical composition written by American trumpeter Dizzy Gillespie in 1942. [2] He wrote it while he was playing with the Benny Carter band. It has become a jazz standard. It is also known as "Interlude", [3] and with lyrics by Raymond Leveen was recorded by Sarah Vaughan in 1944. [4] [5]
Afro Blue" was the first jazz standard built upon a typical African three-against-two (3:2) cross-rhythm, or hemiola. [151] The piece begins with the bass repeatedly playing 6 cross-beats per each measure of 12 8, or 6 cross-beats per 4 main beats—6:4 (two cells of 3:2). The following example shows the original ostinato "Afro Blue" bass line.
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
A jazz term which is the equivalent of the classical term tacet; it instructs the player to cease playing for a section or tune. lead. In guitar playing, a single-note melody or solo line. In Britain, the term also refers to a patch cable that is used to connect an electric guitar to an amp. The word is pronounced "leed". lead bass