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His early murals were commissions for schools and small buildings. His first big project was the murals for Parque de la Industria, in 1961. The site was a space for conventions, concerts, and other events. In 1966, Recinos got a commission for the new national mortgage loans building (Credito Hipotecario Nacional).
It was initiated by a group of retired army officers, including veterans of Guatemalan Civil War, affiliated with the Military Veterans Association of Guatemala AVEMILGUA. [13] FCN did not nominate a presidential candidate in the 2011 general elections , but contested the Congressional elections, receiving 0.5% of the vote and failing to win a ...
The President of the Congress of the Republic of Guatemala (Spanish: Presidente del Congreso de la República de Guatemala) is the presiding officer of the legislature. [1] Until 1996 the title was President of the National Congress. Below is a partial list of office-holders:
The period in the history of Guatemala between the coups against Jorge Ubico in 1944 and Jacobo Árbenz in 1954 is known locally as the Revolution (Spanish: La Revolución).It has also been called the Ten Years of Spring, highlighting the peak years of representative democracy in Guatemala from 1944 until the end of the civil war in 1996.
The Revolution Trilogy (Spanish: Trilogía de la Revolución) is a series of 1930s movies about the Mexican Revolution by Fernando de Fuentes. The three movies are El prisionero trece (1933), El compadre Mendoza (1934) and Vámonos con Pancho Villa (1936). All three share a disenchanted view of the conflict, as opposed to the more common ...
The National Anthem of Guatemala (Spanish: Himno Nacional de Guatemala) [a] was an initiative of the government of General José María Reina Barrios. [b] Its music was composed by Rafael Álvarez Ovalle [] and its original lyrics written by Cuban poet and diplomat José Joaquín Palma, in the context of the cultural and industrial event Exposición Centroamericana of 1897.
The former was formed in 1971 as the Organización Regional de Occidente, as a branch of the FAR in western Guatemala, before splitting outright in mid 1972. [32] The split was effectuated by their differences regarding organizational and ideological questions, particularly the role of ethnicity in the economic exclusion of indigenous people. [33]
The Centro Cultural Miguel Ángel Asturias, commonly called Teatro Nacional, is a cultural center in Guatemala City, Guatemala. It is located in the Centro Cívico (Civic Center) of the city and was built in the same place of the old Fuerte de San José. Its form, which emulates a seated jaguar, [1] stands out from the adjacent buildings.