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Spirituals (also known as Negro spirituals, African American spirituals, [1] Black spirituals, or spiritual music) is a genre of Christian music that is associated with African Americans, [2] [3] [4] which merged varied African cultural influences with the experiences of being held in bondage in slavery, at first during the transatlantic slave trade [5] and for centuries afterwards, through ...
Margaret Allison Bonds (March 3, 1913 – April 26, 1972) [1] was an American composer, pianist, arranger, and teacher.One of the first Black composers and performers to gain recognition in the United States, she is best remembered today for her popular arrangements of African-American spirituals and frequent collaborations with Langston Hughes. [2]
Black gospel music, often called gospel music or gospel, is the traditional music of the Black diaspora in the United States.It is rooted in the conversion of enslaved Africans to Christianity, both during and after the trans-atlantic slave trade, starting with work songs sung in the fields and, later, with religious songs sung in various church settings, later classified as Negro Spirituals ...
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Barbershop quartets originated with African-American men socializing in barbershops; they would harmonize while waiting their turn, singing spirituals, folk songs and popular songs. This generated a new style of unaccompanied four-part, close-harmony singing.
Most African-American spirituals originated in oral tradition, but Work, through his extensive research, was able to compile many songs into the New Jubilee Songs as Sung by the Fisk Jubilee Singers. While many books and websites attribute the New Jubilee Songs to John Wesley Work, Jr. in 1901, some sources argue the origins lie with Frederick ...
This generated two distinctive African American slave musical forms, the spiritual (sung music usually telling a story) and the field holler (sung or chanted music usually involving repetition of the leader's line). [1] We Are Climbing Jacob's Ladder is a spiritual. [1] As a folk song originating in a repressed culture, the song's origins are lost.
Slave Songs of the United States was a collection of African American music consisting of 136 songs. Published in 1867, it was the first, and most influential, [1] [2] collection of spirituals to be published. The collectors of the songs were Northern abolitionists William Francis Allen, Lucy McKim Garrison, and Charles Pickard Ware. [3]