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Debut or début (the first public appearance of a person or thing) may refer to: Debut (society), the formal introduction of young upper-class women to society; Debut novel, an author's first published novel
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Debutantes at the Chrysanthemum Ball in Munich (2012) A debutante, also spelled débutante (/ ˈ d ɛ b j ʊ t ɑː n t / DEB-yuu-tahnt; from French: débutante, ' female beginner '), or deb is a young woman of aristocratic or upper-class family background who has reached maturity and is presented to society at a formal "debut" (UK: / ˈ d eɪ b juː, ˈ d ɛ b juː / DAY-bew, DEB-yoo, US: / d ...
The title page of Sense and Sensibility, Jane Austen's debut novel published in 1811.. A debut novel is the first novel a novelist publishes. Debut novels are often the author's first opportunity to make an impact on the publishing industry, and thus the success or failure of a debut novel can affect the ability of the author to publish in the future. [1]
In literary criticism, a bildungsroman (German pronunciation: [ˈbɪldʊŋs.ʁoˌmaːn], plural bildungsromane, German pronunciation: [ˈbɪldʊŋs.ʁoˌmaːnə]) is a literary genre that focuses on the psychological and moral growth of the protagonist from childhood to adulthood (coming of age), [1] in which character change is important.
Novelists come from a variety of backgrounds and social classes, and frequently this shapes the content of their works. Public reception of a novelist's work, the literary criticism commenting on it, and the novelists' incorporation of their own experiences into works and characters can lead to the author's personal life and identity being associated with a novel's fictional content.
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Self-insertion is a literary device in which the author writes themselves into the story under the guise of, or from the perspective of, a fictional character. [1] The character, overtly or otherwise, behaves like, has the personality of, and may even be described as physically resembling the author or reader of the work.