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Ben Jonson: His Craft and Art (Routledge, London 2017) Rosalind Miles. Ben Jonson: His Life and Work (Routledge, London 1986) George Parfitt. Ben Jonson: Public Poet and Private Man (J. M. Dent, 1976) Richard S. Peterson. Imitation and Praise in the Poems of Ben Jonson (Routledge, 2011) David Riggs. Ben Jonson: A Life (1989) Stanley Wells.
Bartholomew Fair is a Jacobean comedy in five acts by Ben Jonson. It was first staged on 31 October 1614 at the Hope Theatre by the Lady Elizabeth's Men company . [ 1 ] Written four years after The Alchemist , five after Epicœne, or the Silent Woman , and nine after Volpone , it is in some respects the most experimental of these plays.
Why here's our fellow Shakespeare puts them all down, I and Ben Jonson too. O that Ben Jonson is a pestilent fellow, he brought up Horace giving the Poets a pill, but our fellow Shakespeare hath given him a purge that made him beray his credit." From the handwritten manuscript of The Return from Parnassus; Or the Scourge of Simony.
Jonson hinted to William Drummond that the play failed; he mentioned certain verses calling the title appropriate, since the audience had remained silent at the end. A report from the Venetian ambassador shows that at least one person spoke up in response to the play: Arbella Stuart , who complained of a personal reference to a recent intrigue ...
The Devil Is an Ass is a Jacobean comedy by Ben Jonson, first performed in 1616, first published in 1631, and based on the events of the famous Leicester Boy Witch Trial. [ 1 ] The Devil Is an Ass followed Bartholomew Fair (1614), one of the author's greatest works, and marks the start of the final phase of his dramatic career.
Every Man Out contains an allusion to John Marston's Histriomastix in Act III, scene i, a play that was acted in the autumn of 1599; the clown character Clove speaks "fustian" in mimicry of Marston's style. This is one instance of Jonson's involvement in the War of the Theatres. Scholars have found references to Sir Walter Raleigh and Gabriel ...
The Buffalo Bills were a barbershop quartet formed in Buffalo, New York in 1947. [1] The quartet won the 1950 International Championship and is best known for appearing in the 1957 Broadway production The Music Man and its 1962 film version. The quartet was in existence for 20 years, until their last performance in New York City in 1967.
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