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Damasio's approach to explaining the development of consciousness relies on three notions: emotion, feeling, and feeling a feeling. Emotions are a collection of unconscious neural responses that give rise to feelings. Emotions are complex reactions to stimuli that cause observable external changes in the organism.
Much support for animal emotion and its expression results from the notion that feeling emotions does not require significant cognitive processes, [15] rather, they could be motivated by the processes to act in an adaptive way, as suggested by Darwin. Recent attempts in studying emotions in animals have led to new constructions in experimental ...
Emotions, then, are feelings which come about as a result of these physiological changes, rather than being their cause. [146] Silvan Tomkins (1911–1991) developed the affect theory and script theory. The affect theory introduced the concept of basic emotions, and was based on the idea that the dominance of the emotion, which he called the ...
People might mistake a cherry-flavored drink for being lime or lemon flavored if that drink was a green color. Additionally, a flavor may seem to be intensified by a color. People may rate a brown M&M as more chocolate flavored than a green M&M, based on color alone. [17]
Emotional design refers to the ability of design elements to evoke certain emotions or feelings in customers. [13] One example of emotional design at Starbucks is the use of warm lighting, comfortable seating, and relaxing music to create a cozy and inviting atmosphere.
Response: an emotional response is generated, giving rise to loosely coordinated changes in experiential, behavioral, and physiological response systems. Because an emotional response (4.) can cause changes to a situation (1.), this model involves a feedback loop from (4.) Response to (1.) Situation.
Researchers have begun to examine whether concealing feelings influences our ability to perform common cognitive tasks, such as forming memories, and found that the emotion regulation efforts do have cognitive consequences. In the seminal work on negative affect arousal and white noise, Seidner found support for the existence of a negative ...
The emotional feeling of beauty, or an aesthetic experience, does not have a valence emotional undercurrent. Rather it is general cognitive arousal due to the fluent processing of a novel stimuli. [11] Some authors believe that aesthetic emotions is enough of a unique and verifiable experience that it should be included in general theories of ...