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Baksa Kembang dancers are equipped with a scarf (selendang) that is used to dance so that when dancing they look elegant and charming.One of the characteristics of the Baksa Kembang dance costume is the crown on its head called the gajah gemuling, which is a crown decorated with two small bogam flowers and woven young coconut leaves which are often called halilipan.
Hudoq is a masked dance performed during the Erau harvest thanksgiving festival by many of the sub-groups of the Dayak ethnic group in East Kalimantan province, Indonesia. [1] The Hudoq culture and performance are indigenous to the Dayak population of East Kalimantan province, and they are said to have originated from Mahakam Ulu Regency .
In every appearance of the Kancet Papatai Dance, the man (or Ajai), is typically accompanied by a woman who expresses two different types of dance: . The Kancet Ledo dance, a dance by one woman which depicts "the gentleness of a girl as a piece of rice being gently blown by the wind". [4]
Banjar Mask Dance (Indonesian: Tari Topeng Banjar) is a local indigenous art form of Banjar in South Kalimantan, Indonesia. It is called mask dance because the dancers use masks when dancing. This dance is usually played for sacred ceremonies, such as the manyanggar ceremony. The ceremony is a ritual to clean inherited equipment, treat ...
Papuan tumbu tanah dance. Prior to their contact with the outer world the people of the Indonesian archipelago had already developed their own styles of dancing, still somewhat preserved by those who resist outside influences and choose tribal life in the interior of Sumatra (example: Batak, Nias, Mentawai), of Kalimantan/Borneo (example: Dayak, Punan, Iban), of Java (example: Baduy), of ...
The dancer will act as a shaman healer who issued a special spell. Thus, the patient will be motivated to get better. Tari Zapin Tembung is a type of is a social dance in the communities of West Kalimantan. Tari Menoreh Getah is a traditional dance which describes the motion of life of rural communities in West Kalimantan that meet their daily ...
Some of the Ibans in Brunei and West Kalimantan also use the steps in Ngajat Serakup from Sarawak because of it uniqueness, complexity and elegance. Ngajat Indu [nga-jat in-duq] Ngajat Bebunuh [nga-jat bē-bu-nuēh]: Presented by the young men of the community, this dance is a replication or repetition of what men do when confronted by enemies ...
Bajidor Kahot (from Sundanese ᮘᮏᮤᮓᮧᮁ ᮊᮠᮧᮒ᮪) is a Sundanese dance from Indonesia which combines the dance movements of Ketuk Tilu and Jaipongan as the basis of its motions. [1]