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The visual art of Singapore, or Singaporean art, refers to all forms of visual art in or associated with Singapore throughout its history and towards the present-day. The history of Singaporean art includes the indigenous artistic traditions of the Malay Archipelago and the diverse visual practices of itinerant artists and migrants from China, the Indian subcontinent, and Europe.
The National Gallery Singapore, often known exonymously as the National Gallery, is a public institution and national museum dedicated to art and culture located in the Civic District of Singapore. It oversees the world's largest public collection of Singaporean and regional art of the Eastern world , specifically of Southeast Asia , with a ...
The Singapore Art Museum (Abbreviation: SAM) is an art museum with multiple venues across Singapore.It is the first fully dedicated contemporary visual arts museum in Singapore with one of the world’s most important public collections by local and Southeast artists.
The National Museum of Singapore is a public museum dedicated to Singaporean art, culture and history.Located within the country's Civic District at the Downtown Core area, it is the oldest museum in the country, with its history dating back to when it was first established in 1849, starting out as a section of a library at the Singapore Institution [d] as the Raffles Library and Museum.
Georgette Chen, Sweet Rambutans, 1965, Oil on canvas. The Nanyang style of painting, also known as Nanyang art or the Nanyang school, was a modern art movement and painting tradition initially practised by migrant Chinese painters in Singapore from the late-1940s to 1960s.
The William Farquhar Collection of Natural History Drawings consists of 477 watercolour botanical drawings of plants and animals of Malacca and Singapore by unknown Chinese (probably Cantonese) artists that were commissioned between 1819 and 1823 by William Farquhar (26 February 1774 – 13 May 1839). The paintings were meant to be of ...
TAV is best known for its engagement with societal changes and issues through late-1980s and 1990s Singapore, often through performance art, installation art, and process-based work. [4] [5] TAV is historicised as producing significant shifts in the history of Singapore's contemporary art. [4] [5] TAV's original space from 1988 to 1990 was a ...
Mace of the City of Singapore: Chinese philanthropist Loke Wan Tho in conjunction with King George VI granting Singapore a Royal Charter in 1951: 1951 [1] 5: Daguerreotype view from Fort Canning Hill: By French customs service officer Alphonse-Eugene Jules: 1844 [1] 6: Gold armlets and rings from Fort Canning: East Javanese style, found at Fort ...