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Ram Ki Shakti Puja (ISO: Rām kī Śakti Pūjā lit. ' Rama's worship of Shakti ') is a poem in Hindi by Suryakant Tripathi 'Nirala'. It was published in 1937 in the second edition of Nirala's poetry collection Anamika. This long poem consists of 312 lines composed in Nirala's tailored poetic meter, Shakti Puja - a rhyming meter of twenty-four ...
Music Composer Singer(s) Lang; Ābhēri (Carnatic) Bhimpalasi (Hindustani) Maname Ganamum [TH - A Raga's Journey 1] Savitri Papanasam Sivan: M. S. Subbulakshmi: Ābhēri / Bhimpalasi "Bina Madhur Madhur Kachhu Bol" Ram Rajya (1943 film) Shankar Rao Vyas Saraswati Rane: Hindi: Ābhēri / Bhimpalasi "Duniya Se Ji Ghabra Gaya" Laila Majnu(1953 ...
She has recorded songs for film music and albums in all the four South Indian languages namely, Malayalam, Tamil, Telugu, Kannada along with the Hindi language and has established herself as a leading playback singer of South Indian cinema. Some of her inspirations are Sujatha Mohan (her mother), Shreya Ghoshal, Alka Yagnik and K.S. Chitra [1]
"Big Dawgs" is a song recorded by Indian rapper Hanumankind together with producer Kalmi. It was released on July 9, 2024, by Universal Music India. [1] The music video, in which Hanumankind performs within a classic carnival attraction known as the "well of death", was released on the same day.
Sadhana Sargam is an Indian singer, whose voice has been extensively recorded for thousands of tracks in Indian cinema. In addition to being a renowned playback singer, she is also a trained Hindustani classical singer who has recorded hundreds of bhajans, ghazals, and other spiritual tracks.
Pyar Ka Mandir "Log Jahan Par Rehte Hai" Laxmikant–Pyarelal Anand Bakshi Kavita Krishnamurthy, Mohammed Aziz, Suresh Wadkar Qayamat Se Qayamat Tak "Gazab Ka Hin Din" Anand–Milind Majrooh Sultanpuri Alka Yagnik "Akele Hain To Kya Ghum Hai" "Ae Mere Humsafar" "Papa Kehte Hain" solo Ram-Avtar "Na Na Karte" Laxmikant–Pyarelal Anand Bakshi
Hari Om Sharan (26 September 1932 – 18 December 2007) was an Indian Hindu devotional singer and lyricist. Most of his career was dedicated to singing devotional songs in praise of Sita, Rama, and Hanuman. As a Bhajan singer in the 1970s, he recorded albums such as Premanjali Pushpanjali and Daata Ek Ram. During his musical career spanning ...
The raga is of shaadava-sampurna nature, i.e., in its arohana (ascent), only six notes are used, and in avarohana (descent), all seven notes are used. In general, the progression of the raga is highly non-linear, which makes it difficult to capture its essence using arohana and avarohana.