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Latticework may be functional – for example, to allow airflow to or through an area; structural, as a truss in a lattice girder; [2] used to add privacy, as through a lattice screen; purely decorative; or some combination of these. Latticework in stone or wood from the classical period is also called Roman lattice or transenna (plural transenne).
Large lamps may have a screw base or a bayonet base, with one or more contacts on the base. The shell may serve as an electrical contact or only as a mechanical support. Bayonet base lamps are frequently used in automotive lamps to resist loosening by vibration. Some tubular lamps have an electrical contact at either end.
Miniature lamps may have a wedge base made of glass or plastic. The base may be an extension of the glass envelope of the bulb, with the wire leads of the lamp folded up at the base. Some wedge bases are made of plastic and slipped over the wire leads. A wedge base holds the lamp by spring compression in the socket.
Another form of decorative quarry is the etched or engraved quarry, which is made of flashed glass, most often ruby red or royal blue over a transparent layer. It then has a design cut into it using either acid or a lathe, the character of the resultant design differing accordingly.
A shoji (障 （ しょう ） 子 （ じ ）, Japanese pronunciation:) is a door, window or room divider used in traditional Japanese architecture, consisting of translucent (or transparent) sheets on a lattice frame. Where light transmission is not needed, the similar but opaque fusuma is used [1] (oshiire /closet doors, for instance [2 ...
In woodwork, especially in the Safavid period, it could be applied either as lattice frames, left plain or inset with panels such as of coloured glass; or as mosaic panels used to decorate walls and ceilings, whether sacred or secular. In architecture, girih forms decorative interlaced strapwork surfaces from the 15th century to the 20th century.