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The reticulated surface is formed by the thermal expansion and contraction of the interior metal which is effected by deliberate variation in the application of localised heat. [ 2 ] [ 3 ] In the late 19th century, reticulation was used as a decorative technique by Russian goldsmiths such as Fabergé , where the process was referred to as ...
Distressing is viewed as a refinishing technique although it is the opposite of finishing in a traditional sense. In distressing, the object's finish is intentionally destroyed or manipulated to look less than perfect, such as with sandpaper or paint stripper. For example, the artisan often removes some but not all of the paint, leaving proof ...
The technique was described in design and pattern manuals such as Stalker and Parker's Treatise of Japanning and Varnishing, published in Oxford in 1688. Colonial Boston was a major center of the japanning trade in America, where at least a dozen cabinetmakers included it among their specialties.
Tumble finishing, also known as tumbling or rumbling, [1] is a technique for smoothing and polishing a rough surface on relatively small parts. In the field of metalworking , a similar process called barreling , or barrel finishing , [ 2 ] works upon the same principles.
Chasing (French: ciselure) or embossing is a similar technique in which the piece is hammered on the front side, sinking the metal. The two techniques are often used in conjunction. Many metals can be used for chasing and repoussé work, including gold, silver, copper, and alloys such as steel, bronze, and pewter.
Fume bluing is another process similar to rust bluing. Instead of applying the acid solution directly to the metal parts, the parts are placed in a sealed cabinet with a moisture source, a container of nitric acid and a container of hydrochloric acid. The mixed fumes of the acids produce a uniform rust on the surface of the parts (inside and ...
French ormolu mantel clock (around 1800) by Julien Béliard (1758 – died after 1806), Paris.The clock case by Claude Galle (1758–1815) Ormolu (/ ˈ ɔːr m ə ˌ l uː /; from French or moulu 'ground/pounded gold') is the gilding technique of applying finely ground, high-carat gold–mercury amalgam to an object of bronze, and objects finished in this way.
Niello / n iː ˈ ɛ l oʊ / [1] [2] is a black mixture, usually of sulphur, copper, silver, and lead, [3] used as an inlay on engraved or etched metal, especially silver. It is added as a powder or paste, then fired until it melts or at least softens, and flows or is pushed into the engraved lines in the metal.
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