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  2. Chord-scale system - Wikipedia

    en.wikipedia.org/wiki/Chord-scale_system

    The corresponding scale for the C 7 ♯ 11 chord, with added ninth and thirteenth tensions, is C lydian dominant, the fourth mode of the ascending melodic minor. [ 7 ] Originating with George Russell 's Lydian Chromatic Concept of Tonal Organization (1959), [ 8 ] the chord-scale system is now the "most widely used method for teaching jazz ...

  3. List of musical scales and modes - Wikipedia

    en.wikipedia.org/wiki/List_of_musical_scales_and...

    The A melodic minor scale, ascending and descending, on A. ... Chord-scale system; Heptatonic scale; Jazz scale; List of chord progressions; List of chords;

  4. Minor scale - Wikipedia

    en.wikipedia.org/wiki/Minor_scale

    the ascending melodic minor scale or jazz minor scale (also known as the Ionian ♭ 3 or Dorian ♮ 7): this form of the scale is also the 5th mode of the acoustic scale. the descending melodic minor scale: this form is identical to the natural minor scale . The ascending and descending forms of the A melodic minor scale are shown below:

  5. Hungarian minor scale - Wikipedia

    en.wikipedia.org/wiki/Hungarian_minor_scale

    Chords that may be derived from the B Hungarian minor scale are Bm(maj7), C ♯ 7 ♭ 5, Dmaj7 ♯ 5, E ♯ 6sus2 ♭ 5, F ♯ maj7, Gmaj7, G7, A ♯ m6 and more. This scale is obtainable from the double harmonic scale by starting from the fourth degree of that scale, so the C Hungarian minor scale is equivalent to the G double harmonic scale.

  6. G minor - Wikipedia

    en.wikipedia.org/wiki/G_minor

    In the Classical period, symphonies in G minor almost always used four horns, two in G and two in B ♭ alto. [2] Another convention of G minor symphonies observed in Mozart's No. 25 and Mozart's No. 40 was the choice of E-flat major , the subdominant of the relative major B ♭ , for the slow movement, with other examples including Joseph ...

  7. Heptatonic scale - Wikipedia

    en.wikipedia.org/wiki/Heptatonic_scale

    Ascending melodic minor scale on A Play ⓘ Ascending melodic minor scale t-s-t-t-t-t-s; Dorian ♭2 scale or Phrygian ♯ 6 scale s-t-t-t-t-s-t combines the Phrygian flat second and Dorian raised sixth; Lydian augmented scale t-t-t-t-s-t-s combines the Lydian fourth with a raised fifth; Acoustic scale on C. Play ⓘ

  8. C minor - Wikipedia

    en.wikipedia.org/wiki/C_minor

    Great Mass in C minor, K. 427 (417a) Piano Concerto No. 24, K. 491) Maurerische Trauermusik K. 477 (479a) Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte, K. 517; Adagio and Fugue in C minor. K. 546; Wind Serenade in C minor. K. 388 (384a) Fantasy in C minor for violin and piano, K. 396 (385f) Piano Sonata in C minor, K. 457

  9. Half diminished scale - Wikipedia

    en.wikipedia.org/wiki/Half_diminished_scale

    The half diminished scale is a seven-note musical scale. It is more commonly known as the Locrian ♯ 2 scale [1] or the Aeolian ♭ 5 scale, names that avoid confusion with the diminished scale and the half-diminished seventh chord (minor seventh, diminished fifth). It is the sixth mode of the ascending melodic minor scale.

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    ascending melodic scale7th degree minor scale