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The Sarangapani Temple, Thirukudanthai, or Kumbakonam koyil is a Hindu temple dedicated to Vishnu, located in Kumbakonam, Tamil Nadu, India.It is one of the Divya Desams, the 108 temples of Vishnu revered in Nalayira Divya Prabandham by the 12 poet saints, or Alvars. [1]
Sharanga (Sanskrit: शारङ्ग, romanized: Śāraṅga) also spelt as Saranga, is the celestial bow of the Hindu god Vishnu, [1] primarily associated with his avatar of Rama. [2] In South India , the Sharanga is also simply known as the Kodanda , literally meaning bow. [ 3 ]
Sarangapani was a composer of Carnatic music who lived during the 17th century in the village of Karvetinagaram in Andhra Pradesh. [1] He is famous for his composition of Padams, a type of Carnatic song sung during Bharatanatyam performances.
Sharangapani is a popular epithet of the Hindu god Vishnu.It means "one who holds the sharanga bow in his hand".. Sharangapani may also refer to: . Sarangapani Temple, a temple of Vishnu in Kumbakonam, Tamil Nadu, India
Sabapathy is a 1941 Indian Tamil-language comedy film directed by A. V. Meiyappan and A. T. Krishnaswamy, and produced by Meiyappan.An adaptation of Pammal Sambandha Mudaliar's farce play of the same name, the film stars T. R. Ramachandran, Kali N. Rathnam, C. T. Rajakantham and K. Sarangapani.
Pancha Bhuta (/pəɲt͡ʃəbʱuːt̪ᵊ/ ,Sanskrit: पञ्चभूत; pañca bhūta), five elements, is a group of five basic elements, which, in Hinduism, is the basis of all cosmic creation. [1]
Saranga may refer to: Sharanga, the celestial bow of the Hindu god Vishnu; Saranga, an Indian Hindi-language romance film by Dhirubhai Desai, starring Sudesh Kumar and Jayshree Gadkar; Saranga, a Pakistani action film; Șarânga, a village in the commune of Pietroasele, Romania
Vedhala Ulagam (transl. Demon Land) is a 1948 Indian Tamil-language fantasy film directed and produced by A. V. Meiyappan, and written by P. Neelakantan.Adapted from the play of the same name by Pammal Sambandha Mudaliar, the film stars T. R. Mahalingam, K. Sarangapani, Mangalam, K. R. Chellam and C. T. Rajakantham.