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Let It Be is the third studio album by American rock band the Replacements.It was released on October 2, 1984, by Twin/Tone Records.A post-punk album with coming-of-age themes, Let It Be was recorded by the band after they had grown tired of playing loud and fast exclusively as on their 1983 Hootenanny album; the group decided to write songs that were, according to vocalist Paul Westerberg, "a ...
The discography of American rock band The Replacements consists of seven studio albums, four live albums, seven compilation albums, five extended plays, 16 singles, and 10 music videos. Formed in Minneapolis , Minnesota by guitarist and vocalist Paul Westerberg , guitarist Bob Stinson , bass guitarist Tommy Stinson , and drummer Chris Mars in ...
The Replacements performed for the first time in Spain and Portugal at the Primavera Sound festival on May 28, 2015, [79] and June 5, 2015, [80] respectively as part of a brief European tour. On June 5, 2015, Westerberg announced onstage at the Primavera Sound festival in Porto, Portugal , that it was the band's final show.
Replacements bassist Tommy Stinson joined the project only about a week after it started, and no bassists are included among the list of session musicians, indicating that Stinson played most of the bass on the record. Stinson has mentioned 'the songs I didn't play on' which may refer to songs like the title track that do not feature bass, or ...
Tim is the fourth studio album by American alternative rock band The Replacements.It was released in September 1985 on Sire Records.It was their first major label release and also the last album made by the original line-up of the band: guitarist Bob Stinson was kicked out of the band towards the end of 1986.
The Replacements’ first and only LP as a Bob Stinson-less trio was largely tracked with producer Jim Dickinson at Memphis’ Ardent Studios, where heroes Alex Chilton and Big Star had recorded ...
Near the 40th anniversary of their fifth studio album and major label debut, “Tim,” The Replacements are releasing “Tim: Let it Bleed Edition.” The massive box set features a loving ...
[18] In a retrospective review, Stephen Thomas Erlewine of AllMusic felt that Pleased to Meet Me "was the last time [The Replacements] could still shoot for the stars and seem like their scrappy selves and, in many ways, it was the last true Replacements album". [8]