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Spouse. Elisa Benguiat. Ephram Edward Benguiat (/ ˈbɛnɡæt /; October 27, 1927 – October 15, 2020) was an American type designer and lettering artist. He designed over 600 typefaces, including Tiffany, Bookman, Panache, Souvenir, Edwardian Script, and the eponymous Benguiat and Benguiat Gothic. He was also known for his designs or ...
Edwardian Script Designer: Ed Benguiat: FIG Script Designer: Eric Olson: French Script: Gravura Designer: Phill Grimshaw: Kuenstler Script Designer: Hans Bohn: Lucida Calligraphy Designer: Charles Bigelow, Kris Holmes: Monotype Corsiva Designer: Tricia Saunders: Snell Roundhand Designer: Matthew Carter: Zapf Chancery Designer: Hermann Zapf ...
Aisha (Arabic, Latin) Aparajita (Angika, Bhojpuri, Bodo and other Indian languages) Arek (Armenian, Latin) Arial (Used in English, Arabic, Hebrew and other languages) [2] Avory (Cyrillic, Greek, Latin) Awami Nastaliq features a more extensive character set than most Nastaliq typefaces, supporting: Urdu, Balochi, Farsi (Iranian Persian), Khowar ...
The "Included from" column indicates the first edition of Windows in which the font was included. Typeface Family Spacing Weights/Styles Target script Included from
Font designed by Leonard Shuffrey at St Peter's Church, Ealing The Jubilee Drinking Fountain (1888) in Halstead, Essex, designed by Leonard Shuffrey. Leonard Shuffrey (31 March 1852 – 27 December 1926) was a British architect and architectural designer of the late Victorian and Edwardian period.
File:Edwardian Script.svg. Size of this PNG preview of this SVG file: 400 × 450 pixels. Other resolutions: 213 × 240 pixels | 427 × 480 pixels | 683 × 768 pixels | 910 × 1,024 pixels | 1,820 × 2,048 pixels. This is a file from the Wikimedia Commons. Information from its description page there is shown below.
Script typefaces are based on the varied and often fluid stroke created by handwriting. [1][2] They are generally used for display or trade printing, rather than for extended body text in the Latin alphabet. Some Greek alphabet typefaces, especially historically, have been a closer simulation of handwriting.
The company was founded to design, license and market typefaces for filmsetting and computer set types internationally. The company issued both new designs and revivals of older or classic faces, invariably re-cut to be suitable for phototypesetting and later digital use and produced in families of different weights.