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This method of stretching and preparing a canvas allows for a frame-less presentation of the finished painting. In contrast, a non-gallery wrap canvas is usually intended to be framed before presentation. The stretcher bars are often thinner, and the canvas can be secured at the sides with staples or tacks as the frame will hide them.
A stretcher bar is used to construct a wooden stretcher used by artists to mount their canvases. They are traditionally a wooden framework support [1] on which an artist fastens a piece of canvas. They are also used for small-scale embroidery to provide steady tension, affixing the edges of the fabric with push-pins or a staple gun before ...
A tightening key is a small wedge or shim used in the construction of a canvas stretcher frame with expandable joints. The key is inserted into the slotted inside the stretcher bars at the mitered corners of the frame to prevent or adjust sagging. [1] [2] [3] Tightening keys are commonly made in plastic or wood, and are often called corner keys ...
Lining of paintings. The lining of paintings is a process of conservation science and art restoration used to strengthen, flatten or consolidate oil or tempera paintings on canvas by attaching a new support to the back of the existing one. The process is sometimes referred to as relining.
In order to get both the stability and the desired texture, painters for finished paintings usually use canvas that are pre-stretched on a solid frame or panel [3] (so-called stretchers usually made of stretcher bars [4]). These stretched canvas became popular in Venice in the 17th century. [4] Since these supports are expensive, studies are ...
Canvas on stretcher bar. Canvas has become the most common support medium for oil painting, replacing wooden panels. It was used from the 14th century in Italy, but only rarely. One of the earliest surviving oils on canvas is a French Madonna with angels from around 1410 in the Gemäldegalerie, Berlin.