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Marian music is now an inherent element in many aspects of the veneration of the Blessed Virgin Mary in Catholic Mariology. Throughout the centuries Marian music has grown and progressed, and witnessed a resurgence along with the Renaissance , e.g. with the composition of the Ave Maria motet by Josquin des Prez .
The Madonna of humility by Domenico di Bartolo 1433 has been described as one of the most innovative devotional images from the early Renaissance [35]. Catholic Marian art has expressed a wide range of theological topics that relate to Mary, often in ways that are far from obvious, and whose meaning can only be recovered by detailed scholarly analysis.
Calling Mary "our mother in the order of grace", Lumen gentium referred to Mary as a model for the Church and stated that: [57] By reason of the gift and role of divine maternity, by which she is united with her Son, the Redeemer, and with His singular graces and functions, the Blessed Virgin is also intimately united with the Church.
Immaculate Mary" or "Immaculate Mother" (French: Ô Vierge Marie) is a popular Roman Catholic Marian hymn. It is also known as the Lourdes Hymn , a term which also refers to the hymn tune itself. It is often sung in honour of the Immaculate Conception of the Blessed Virgin Mary .
Hymn tune. O Mary of Graces is a traditionally Catholic Marian hymn based on an ancient Irish prayer to Mary, the mother of Jesus.Two versions of the hymn exist based on differing translations made of the original prayer by Priest Douglas Hyde and J. Rafferty, with the Hyde version being more popular.
" Maria, breit den Mantel aus" (Mary, spread out your cloak), first printed in 1640 " Maria, dich lieben ist allzeit mein Sinn" (Mary, to love you is always on my mind), 18th century, rewritten by Friedrich Dürr in 1972 " Maria durch ein Dornwald ging" (Maria walks amid the thorns), traditional Advent song
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In Luke's Gospel, Joseph and Mary travelled to Bethlehem, the family of Joseph's ancestors, to be listed in a tax census; the Journey to Bethlehem is a very rare subject in the West, but shown in some large Byzantine cycles. [2] While there, Mary gave birth to the infant, in a stable, because there was no room available in the inns.