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Psalm 66 is the 66th psalm of the Book of Psalms, beginning in English in the King James Version: "Make a joyful noise unto God, all ye lands". In the slightly different numbering system of the Greek Septuagint version of the Bible and the Latin Vulgate , this psalm is Psalm 65 .
Biblical Songs was written between 5 and 26 March 1894, while Dvořák was living in New York City. It has been suggested that he was prompted to write them by news of a death (of his father Frantisek, or of the composers Tchaikovsky or Gounod, or of the conductor Hans von Bülow); but there is no good evidence for that, and the most likely explanation is that he felt out of place in the ...
When writing music for Sergei Eisenstein's film Alexander Nevsky, Prokofiev needed a Latin text to characterise the invading Teutonic knights. The nonsensical text, peregrinus expectavi pedes meos in cymbalis , appears in Prokofiev's cantata , based on the film score, for the movements "The Crusaders in Pskov" and "The Battle on the Ice".
The laments of the people are voiced here and their promise to sing the praises of God at all times is established. This Psalm is labeled as a song or psalm to the leader, [7] interpreted as the chief musician [10] or leader of the community. [5] The leader ends the psalm with a statement about the wicked being humbled and the righteous being ...
[5] Education programmes include the Voice for Life and Church Music Skills schemes, as well as the long-running residential courses. [6] The RSCM publishes church music and other materials for choirs and organists, and produces a magazine, Church Music Quarterly (CMQ) which alongside Sunday by Sunday provides useful information for church ...
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3. Prince. Like many people on this list, Prince made up for not being able to read sheet music by having an unusually good ear for melody and an intuitive sense of what chord should go where. He ...
In place of Psalm 94(95), Psalm 99(100), Psalm 66(67), or Psalm 23(24) may be used as circumstances may suggest. Verse 17 of Psalm 50(51) Domine, labia mea aperies is often used as the invitatory antiphon in the Liturgy of the Hours.