Search results
Results From The WOW.Com Content Network
Psalm 66 is the 66th psalm of the Book of Psalms, beginning in English in the King James Version: "Make a joyful noise unto God, all ye lands". In the slightly different numbering system of the Greek Septuagint version of the Bible and the Latin Vulgate , this psalm is Psalm 65 .
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Donate; Pages for logged out editors learn more
The laments of the people are voiced here and their promise to sing the praises of God at all times is established. This Psalm is labeled as a song or psalm to the leader, [7] interpreted as the chief musician [10] or leader of the community. [5] The leader ends the psalm with a statement about the wicked being humbled and the righteous being ...
In place of Psalm 94(95), Psalm 99(100), Psalm 66(67), or Psalm 23(24) may be used as circumstances may suggest. Verse 17 of Psalm 50(51) Domine, labia mea aperies is often used as the invitatory antiphon in the Liturgy of the Hours.
Scholars have found it very difficult to date this psalm. [9] Psalm 151 in the 11Q5 Manuscript. [10] The traditional Hebrew Bible and the Book of Psalms contains 150 psalms, but Psalm 151 is found both in The Great Psalms Scroll and the Septuagint, as both end with this psalm. Scholars have found it fascinating having both the Greek and Hebrew ...
Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!
When writing music for Sergei Eisenstein's film Alexander Nevsky, Prokofiev needed a Latin text to characterise the invading Teutonic knights. The nonsensical text, peregrinus expectavi pedes meos in cymbalis , appears in Prokofiev's cantata , based on the film score, for the movements "The Crusaders in Pskov" and "The Battle on the Ice".
Biblical Songs was written between 5 and 26 March 1894, while DvoĆák was living in New York City. It has been suggested that he was prompted to write them by news of a death (of his father Frantisek, or of the composers Tchaikovsky or Gounod, or of the conductor Hans von Bülow); but there is no good evidence for that, and the most likely explanation is that he felt out of place in the ...