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In contrast to William and Mary furniture, which was marked by rectilinearity (straight lines) and use of curves for decoration, Queen Anne furniture uses C-scroll, S-scrolls, and ogee (S-curve) shapes in the structure of the furniture itself. [5] In sophisticated urban environments, walnut was a frequent choice for furniture in the Queen Anne ...
By Bud Dietrich At the end of the 19th century and early into the 20th, a popular home style in the United States was the Queen Anne. The Queen Anne was clearly a transitional style, creating a ...
In architecture the Eastlake style or Eastlake architecture is part of the Queen Anne style of Victorian architecture. Eastlake's book Hints on Household Taste in Furniture, Upholstery, and Other Details posited that furniture and decor in people's homes should be made by hand or machine workers who took personal pride in their work ...
Queen Anne style furniture, the Queen Anne style of furniture design This page was last edited on 8 August 2021, at 17:27 (UTC). Text is available under the ...
New Albany's Mansion Row features a plethora of homes, including this Queen Anne Victorian with a brick-red, mustard yellow, and forest green exterior
Davenport & Co. executed Stanford White's furniture designs for the State Dining Room. These consisted of two neo-Georgian-style dining tables, six William-and-Mary-style armchairs, fifty Queen-Anne-style side chairs, a long serving table supported by carved-eagle pedestals, [23] and two matching console tables. [24]
The Queen Anne style is in direct contrast to the Mission and Shaker styles. It is considered traditional, with ornate moldings, unique foot details, and carved ornamentation. Other styles available include Southwestern, Rustic, Cottage, Country, Quaker, and Beachfront. Amish furniture-making is often a skill passed through many generations.
George Devey (1820–1886) and the better-known Norman Shaw (1831–1912) popularized the Queen Anne style of British architecture of the industrial age in the 1870s. Norman Shaw published a book of architectural sketches as early as 1858, and his evocative pen-and-ink drawings began to appear in trade journals and artistic magazines in the 1870s.