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  2. Lover, You Should've Come Over - Wikipedia

    en.wikipedia.org/wiki/Lover,_You_Should've_Come_Over

    Musically, "Lover, You Should've Come Over" is a folk-pop [1] and soul ballad. [2] The song has a length of 6:43, [3] and is composed in 6 8 time and the key of D major.It moves at a tempo of 120 beats per minute, and Buckley's vocal range spans more than two octaves, from B 3 to D 6. [4]

  3. Talk:Lover, You Should've Come Over - Wikipedia

    en.wikipedia.org/wiki/Talk:Lover,_You_Should've...

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  4. Lover, Come Back to Me - Wikipedia

    en.wikipedia.org/wiki/Lover,_Come_Back_to_Me

    Lover, Come Back to Me" is a popular song composed by Sigmund Romberg with lyrics by Oscar Hammerstein II for the Broadway show The New Moon, where the song was introduced by Evelyn Herbert and Robert Halliday (as Robert Misson). The song was published in 1928.

  5. A History of How the Meaning of Taylor Swift's Song 'Lover ...

    www.aol.com/entertainment/history-meaning-taylor...

    The inclusion of the song has caused some fans to spiral over the idea that “Lover” and some of Swift’s other love songs about Alwyn — including “Sweet Nothing” — represent what it ...

  6. Come Over (Faith Evans song) - Wikipedia

    en.wikipedia.org/wiki/Come_Over_(Faith_Evans_song)

    "Come Over" is a song by American recording artist Faith Evans. It was written by Evans, Floyd Howard, Sean Combs , and Chucky Thompson for her debut studio album Faith (1995), while production was helmed by Combs and Thompson.

  7. Lover Come Back to Me (Dead or Alive song) - Wikipedia

    en.wikipedia.org/wiki/Lover_Come_Back_to_Me...

    "Lover Come Back to Me" is a 1985 single by the English pop band Dead or Alive, produced by Stock Aitken Waterman. It was released as the second single from the band's second studio album, Youthquake .

  8. Come Over (Kenny Chesney song) - Wikipedia

    en.wikipedia.org/wiki/Come_Over_(Kenny_Chesney_song)

    The song is set in the key of D ♭ major with a main chord pattern of B ♭ m7–G ♭ sus2–D ♭ /F-D ♭ sus-D ♭ –A ♭. [2]Co-writer Josh Osborne said that when writing the song, he and the co-writers were composing melodies when co-writer Sam Hunt suggested to make it a "kind of desperate thing, like the guy is pleading with this girl to come over."

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