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Myōken (Sanskrit: सुदृष्टि, Sudṛṣṭi; Chinese: 妙見菩薩 (Traditional) / 妙见菩萨 (), pinyin: Miàojiàn Púsà; Japanese: 妙見菩薩, Myōken Bosatsu), also known as Sonjō-Ō (尊星王, "Venerable Star King", also Sonsei-Ō or Sonshō-Ō), is a Buddhist deification of the North Star worshiped mainly in the Shingon, Tendai and Nichiren schools of Japanese Buddhism.
In Shinto and Buddhism in Japan, an ofuda (お札/御札, honorific form of fuda, ' slip [of paper], card, plate ') or gofu (護符) is a talisman made out of various materials such as paper, wood, cloth or metal.
Gohonzon (御本尊) is a generic term for a venerated religious object in Japanese Buddhism.It may take the form of a scroll or statuary. The term gohonzon typically refers to the mainstream use of venerated objects within Nichiren Buddhism, referring to the calligraphic paper mandala inscribed by the 13th Japanese Buddhist priest Nichiren to which devotional chanting is directed.
Honzon (本尊, "fundamental honored [one]"), sometimes referred to as a Gohonzon (ご本尊 or 御本尊), is the enshrined main image [1] or principal deity [2] in Japanese Buddhism. The buddha , bodhisattva , or mandala image is located in either a temple or a household butsudan .
buddha – the term 'buddha' in the lower case refers not to Gautama Buddha but to: a statue of Gautama Buddha; any of the other buddhas (enlightened ones) named in Buddhist scriptures. Buddha's footprints – see bussokuseki; bussokuseki* (仏足石) – lit. Buddha's foot (print) stone. A stone carved with footprints representing Buddha. [2]
Ryōgen (left), 18th chief abbot (zasu) of Enryaku-ji. The omikuji sequence historically commonly used in Japanese Buddhist temples, consisting of one hundred prophetic five-character quatrains, is traditionally attributed to the Heian period Tendai monk Ryōgen (912–985), posthumously known as Jie Daishi (慈恵大師) or more popularly, Ganzan Daishi (元三大師), and is thus called ...
The Japanese monk Nichiren (1222–1282) founded a new Buddhist school based on his belief that the Lotus Sūtra is "the Buddha's ultimate teaching", [183] and that the title is the essence of the sutra, "the seed of Buddhahood". [184]
In Chinese and Japanese Buddhist art, the halo has also been used since the earliest periods in depicting the image of Amitabha Buddha and others. Tibetan Buddhism uses haloes and aureoles of many types, drawing from both Indian and Chinese traditions, extensively in statues and Thangka paintings of Buddhist saints such as Milarepa and ...