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There is debate about whether reactive attenuators do a better job of preserving a guitar amplifier's tone. A guitar amplifier power attenuator may also offer a line-level output jack for sending the distortion-processed signal through an effects chain, to a recording console, or for the purpose of re-amplifying signal through a larger or ...
The 5150 was based on the Soldano SLO-100 which Eddie Van Halen was using at the time and designed to provide high gain saturation as well as a clean channel. [5]While the product was designed around a centered printed circuit board (PCB), its cascading five preamps (actually four preamplifiers and one phase inverter) and four gain stages were implemented in a very simple manner.
Mesa-Boogie Mark IV, a guitar combo amplifier. A guitar amplifier (or amp) is an electronic device or system that strengthens the electrical signal from a pickup on an electric guitar, bass guitar, or acoustic guitar so that it can produce sound through one or more loudspeakers, which are typically housed in a wooden cabinet.
The amount of gain produced surprised both men, and Smith combined the cascaded design with the small form factor of the Fender Princeton, creating the first high-gain amp, the "Princeton Boogie." [1] [8] Released in 1972, the Boogies solved the issue of amps not having enough gain to sustain notes at volumes suitable for smaller venues. [4]
Next came the G-DEC (Guitar Digital Entertainment Center), a true modeling amp. It was released in 2007 along with a PC software package to allow it to emulate a wide array of pedals, stompboxes, and amplifiers. The G-Dec won high praise at the time but its effects, based on three-decade-old MIDI technology, were rapidly outdated. An updated G ...
Designed for electric guitar and bass and operated by the player's foot, distortion pedals are most frequently placed in the signal chain between the guitar and amplifier. The use of distortion pedals was popularized by Keith Richard's use of a Maestro FZ-1 Fuzz-Tone pedal on the 1965 Rolling Stones song "(I Can't Get No) Satisfaction".
In 1960, Ampeg introduced the B-15, a bass combo amplifier with an innovative flip-top function, invented and patented by Oliver. The B-15 was the first in the company's Portaflex series, and after becoming the preferred studio amp of session musicians like James Jamerson and Chuck Rainey.
Initially focusing on bass guitarists, in 2001 the company introduced a line of guitar amplifiers (50W and 100W stacks and combos) called Peacemaker. Later, more affordable models in 20W and 40W were added, with cheaper PCB technology. [1] Ashdown have gone on to produce hand-wired amplifiers, and set up a separate company for this, called Hayden.