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Waves has launched plug-ins in collaboration with Abbey Road Studios, such as the King's Microphones plug-in released in 2011, [17] the REDD Console plug-ins released in 2012, [18] the J37 tape saturation plug-in, the Abbey Road Reverb Plates plugin, the RS56 Passive EQ plug-in released in 2013, [19] [20] and the EMI TG12345 plug-in released in ...
A collection of effects pedals, including several distortions: a MXR Distortion + (top row, second from left), and a Pro Co Rat, Arbiter Fuzz Face, and Electro-Harmonix Big Muff (all middle row, from left). Distortion pedals are a type of effects unit designed to add distortion to an audio signal to create a warm, gritty, or fuzzy character.
A compression artifact (or artefact) is a noticeable distortion of media (including images, audio, and video) caused by the application of lossy compression. Lossy data compression involves discarding some of the media's data so that it becomes small enough to be stored within the desired disk space or transmitted ( streamed ) within the ...
Many electric guitar players intentionally overdrive their amplifiers (or insert a "fuzz box") to cause clipping in order to get a desired sound (see guitar distortion).. Some audiophiles believe that the clipping behavior of vacuum tubes with little or no negative feedback is superior to that of transistors, in that vacuum tubes clip more gradually than transistors (i.e. soft clipping, and ...
Waves Audio released a software plug-in emulation of the Teletronix LA-2A with Chris Lord-Alge's personal presets as the CLA-2A Compressor/Limiter plug-in. [ 16 ] Other software versions of the LA-2A include the Cakewalk CA-2A, IK Multimedia T-RackS White 2A, and the Native Instruments VC 2A by Softube.
An effects unit is also called an effect box, effects device, effects processor or simply an effect. The abbreviation F/X or FX is sometimes used. A pedal-style unit may be called a stomp box, stompbox, effects pedal or pedal. Unprocessed audio coming into an effects unit is referred to as dry, while the processed audio output is referred to as ...
Though it is a common misconception that the sample rate affects the "smoothness" of the digitally represented waveform, this is not true; sampling theory guarantees that up to the maximum signal frequency supported by the sample rate (i.e. the Nyquist limit), the digital (discrete) signal will exactly represent the analog (continuous-wave ...
Equalizers can correct problems posed by a room's acoustics, as an auditorium will generally have an uneven frequency response especially due to standing waves and acoustic dampening. For instance, the frequency response of a room may be analyzed using a spectrum analyzer and a pink noise generator. Then a graphic equalizer can be easily ...