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Albrecht Dürer (/ ˈ dj ʊər ər / DURE ... The fourth book is devoted to the theory of movement. [20] Appended to the last book, however, is a self-contained essay ...
A preparatory sketch for the engraving; see also this sketch.. Melencolia I has been the subject of more scholarship than probably any other print. As the art historian Campbell Dodgson wrote in 1926, "The literature on Melancholia is more extensive than that on any other engraving by Dürer: that statement would probably remain true if the last two words were omitted."
In the mathematical field of graph theory, the Dürer graph is an undirected graph with 12 vertices and 18 edges. It is named after Albrecht Dürer, whose 1514 engraving Melencolia I includes a depiction of Dürer's solid, a convex polyhedron having the Dürer graph as its skeleton. Dürer's solid is one of only four well-covered simple convex ...
This polyhedron is sometimes called Dürer's solid, from its appearance in Albrecht Dürer's 1514 engraving Melencolia I. The graph formed by its edges and vertices is called the Dürer graph . The shape of the solid depicted by Dürer is a subject of some academic debate. [ 1 ]
Albrecht Dürer (1471–1528) was a German Renaissance printmaker who made important contributions to polyhedral literature in his 1525 book, Underweysung der Messung (Education on Measurement), meant to teach the subjects of linear perspective, geometry in architecture, Platonic solids, and regular polygons.
Albrecht Dürer, Self-portrait (Prado, Madrid). Self-portraiture, or Autoportraiture is the field of art theory and history that studies the history, means of production, circulation, reception, forms, and meanings of self-portraits.
1525: Albrecht Dürer, in his illustration Man drawing a lute, shows an artist using a perspective machine to create a drawing. The machine consists of a wooden frame with a taut string passing through it to represent the viewer's line of sight. [4] Dürer built his second model of such a machine in the same year. [5]
Knight, Death and the Devil, 1513, engraving, 24.5 x 19.1 cm. Knight, Death and the Devil (German: Ritter, Tod und Teufel) is a large 1513 engraving by the German artist Albrecht Dürer, one of the three Meisterstiche (master prints) [1] completed during a period when he almost ceased to work in paint or woodcuts to focus on engravings.