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A clay model of a chicken, designed to be used in a clay stop motion animation [1]. Stop motion (also known as stop frame animation) is an animated filmmaking and special effects technique in which objects are physically manipulated in small increments between individually photographed frames so that they will appear to exhibit independent motion or change when the series of frames is played back.
Picking up the model animation baton from O'Brien, and refining the process further, introducing color and smoother animation, was his protégé, Ray Harryhausen. Assisting O'Brien in Mighty Joe Young in 1949, Harryhausen went on to do model animation (and other special visual effects) on a series of feature-length films, [2] such as:
Producing a stop-motion animation using clay is extremely laborious. Normal film runs at 24 frames per second (frame/s). With the standard practice of "doubles" or "twos" (double-framing, exposing two frames for each shot), 12 changes are usually made for one second of film movement. [2]
The technique is a variation of the Ken Burns effect, which has often been used in documentary films to add motion to still imagery, but rarely as a standalone animated production. Other music videos featuring cutout animation include Skindred 's " Pressure " (2006), [ citation needed ] Serj Tankian 's " Lie Lie Lie " (2007), [ citation needed ...
Schneer was eager to graduate to full-color films. Reluctant at first, Harryhausen managed to develop the systems necessary to maintain proper color balances for his DynaMation process, resulting in his biggest hit of the 1950s, The 7th Voyage of Sinbad (1958). The top-grossing film of that summer, and one of the top-grossing films of that year ...
The images were combined to make a stop-motion film. [7] Each frame measures 45 by 25 nanometers. [5] It took four researchers two weeks of 18-hour days to produce the film. [6] The graphics and sound effects resemble those of early video games. "This movie is a fun way to share the atomic-scale world," said project leader Andreas J. Heinrich ...
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Pixilation is a stop motion technique in which live actors are used as a frame-by-frame subject in an animated film, by repeatedly posing while one or more frame is taken and changing pose slightly before the next frame or frames. [citation needed] This technique is often used as a way to blend live actors with animated ones in a movie ...