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The Magnificat (Latin for "[My soul] magnifies [the Lord]") is a canticle, also known as the Song of Mary or Canticle of Mary, and in the Eastern Orthodox Church as the Ode of the Theotokos (Greek: Ἡ ᾨδὴ τῆς Θεοτόκου). Its Western name derives from the incipit of its Latin text.
The Seven Joys of Mary (1480), Hans Memling "The Seven Joys of Mary" (Roud # 278) is a traditional carol about Mary's happiness at moments in the life of Jesus, probably inspired by the trope of the Seven Joys of the Virgin in the devotional literature and art of Medieval Europe.
Heinrich Schütz composed four extant settings of the Magnificat or Song of Mary, one of the three New Testament canticles. He set one in Latin and three in German. In the Schütz-Werke-Verzeichnis (SWV), the compositions have the numbers 344, 426, 468 (in Latin) and 494. The settings on the German text are all part of larger groups of works.
According to Pelbartus Ladislaus of Temesvár, St. Thomas, while he was reciting his daily 'Hail Mary's in memory of the principal joys of Mary, was "favored with an apparition of the Queen of Heaven." She encouraged him to add seven more 'Hail Mary's in honor of "the seven signal joys she possesses in heaven, and to instill the same devotion ...
The Gospel of Mary: Beyond a Gnostic and a Biblical Mary Magdalene. London: Continuum. ISBN 9780567082640. De Boer, Esther A (2006) [2005]. The Gospel of Mary Listening to the Beloved Disciple. London: Continuum. ISBN 9780826480019. King, Karen L (2003). The Gospel of Mary of Magdala: Jesus and the First Woman Apostle. Santa Rosa: Polebridge Press.
Das Marienleben (The Life of Mary) is a song cycle by German composer Paul Hindemith. The cycle, written for piano and soprano, sets to music a collection of 15 poems by Rainer Maria Rilke that tells the story of the life of Mary. [1] The cycle was featured in the 1923 Bauhaus exhibition in Weimar. [2]
The New York Timeseditorial page warned, “It is especially frightening to see the administration use the debates over the prisoners at Guantánamo Bay and domestic
The Loreto text had, however, the good fortune to be adopted in the famous shrine, and thus become known more than any other, to the many pilgrims who flocked there during the 16th century. The text was spread across Christendom, and finally received ecclesiastical sanction. [4] Twelve invocations refer to Mary as Mother; six extol her as Virgin.