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Particularly famous examples of extended vocal technique can be found in the music of Luciano Berio, John Cage, George Crumb, Peter Maxwell Davies, Hans Werner Henze, György Ligeti, Demetrio Stratos, Meredith Monk, Giacinto Scelsi, Arnold Schoenberg, Salvatore Sciarrino, Karlheinz Stockhausen, Tim Foust, Avi Kaplan, and Trevor Wishart.
Shepard was instrumental in documenting the work of the Alfred Wolfsohn Voice Research Centre [2] and collaborated with Paul Newham to formulate an extended vocal technique based on the analysis of speaking and singing voices from diverse cultures and oral traditions.
A multiphonic is an extended technique on a monophonic musical instrument (one that generally produces only one note at a time) in which several notes are produced at once. This includes wind, reed, and brass instruments, as well as the human voice.
The Alfred Wolfsohn Voice Research Centre was a project established to investigate the therapeutic and artistic potential of vocal expression.The Centre was founded by Alfred Wolfsohn in Berlin during 1935 and re-situated in London during 1943, where he and his contemporaries and successors developed principles and practices that provided the foundations for the use of an extended vocal technique.
This is a list of musical compositions that employ extended techniques to obtain unusual sounds or instrumental timbres. Hector Berlioz "Dream of Witches' Sabbath" from Symphonie Fantastique. The violins and violas play col legno, striking the wood of their bows on the strings (Berlioz 1899, 220–22). Heinrich Ignaz Franz von Biber; Battalia ...
Extended technique is a term used in music to describe unconventional, unorthodox or "improper" techniques of singing, or of playing musical instruments. Subcategories This category has the following 3 subcategories, out of 3 total.
Vocal music often has a sequence of sustained pitches that rise and fall, creating a melody, but some vocal styles use less distinct pitches, such as chants or a rhythmic speech-like delivery, such as rapping. As well, there are extended vocal techniques that may be used, such as screaming, growling, throat singing, or yodelling.
Their development of various forms of gridded texts added much to the primarily optophonetic devices previously in literary use, releasing the scores from the rigidity imposed by the more conventional techniques found in choral work focussed on extended vocal techniques.