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The Pulpit Commentary treats Apollos' authorship of Hebrews as "generally believed". [19] Other than this, there are no known surviving texts attributed to Apollos. Apollos is regarded as a saint by several Christian churches, including the Lutheran Church–Missouri Synod , which hold a commemoration for him, together with saints Aquila and ...
Another popular theory held that the maxims were first spoken by the Delphic oracle, and therefore represented the wisdom of the god Apollo. [10] Clearchus of Soli , among others, attempted to reconcile the two accounts by claiming that Chilon, enquiring of the oracle what was best to be learnt, received the answer "Know thyself", and ...
This is an outline of commentaries and commentators.Discussed are the salient points of Jewish, patristic, medieval, and modern commentaries on the Bible. The article includes discussion of the Targums, Mishna, and Talmuds, which are not regarded as Bible commentaries in the modern sense of the word, but which provide the foundation for later commentary.
The 63-line poem (the shortest of the Eclogues) begins with an address to the Muses.The first few lines have been referred to as the "apology" of the poem; the work, much like Eclogue 6, is not so much concerned with pastoral themes, as it is with cosmological concepts, and lines 1–3 defend this change of pace. [4]
Butlin, and nearly all subsequent scholars, have rejected this, as much commentary has centered upon Blake's use of similar images to frame the sequence. Butlin instead rearranges the "original" sequence as 1-2-4-5-3-6, moving The Flight of Moloch to second to last, so that it matches the order of corresponding verses in Milton's poem. [5]
In the liner notes, Eno describes his experience of watching the Apollo 11 landing in 1969 and his sense that the strangeness of the event was compromised by the low quality of the television transmission and an excess of journalists' commentary. He thus wished to avoid the melodramatic and uptempo way the event was presented.
Todd Phillips' sequel, starring Joaquin Phoenix and Lady Gaga, doesn't respect the musical genre — and it paid the price with critics and audiences alike.
On 1 July 1998, the theatre was declared a national institution, and was officially renamed the Lithuanian National Opera and Ballet Theatre. [1] A major renovation of the theatre has been undertaken, announced in 2022 with scheduled completion date before the beginning of the 2023/2024 theatre season. It has been costed at around 10m euros.