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The album was released again in 2017 on 180-gram "tangerine" orange vinyl to commemorate the album's 50th Anniversary. This pressing was a limited run of 1,000 copies hand-marked by the band and included a digital download code, along with a bonus 45rpm single featuring the earliest recordings of "Kaleidoscope" and "A Dream for Julie"
This is the second of their albums featuring tracks with English lyrics, namely Titan Dream (feat. C.C. White and Nick Phoenix), The End is the Beginning (feat. Nick Phoenix), and Back to the Earth (feat. Nick Phoenix). Recording took place in both Brno, Czech Republic and Los Angeles, United States. [2]
A Box of Dreams is a limited edition 3-disc box set by Irish singer-songwriter Enya, released on 1 December 1997 by WEA Records. The set was a companion release to her first compilation album Paint the Sky with Stars – The Best of Enya , released the previous month.
The lyrics in the song were developed from Bass' interview with the writers. The lyrics speak of her dream to fly as a child, the obstacles she faced as a woman wanting to become a pilot in the mid-20th century, and the pain she felt when planes became weapons on September 11. [7]
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Music critic Travis Draeset wrote in his AllMusic review "The result is a set of low-key, abstract story-songs about voodoo, sin, and prostitution, with "Worn Out," the album's closer, having a lullaby-like quality. Phelps' guitar work on this album is fairly straightforward (unfortunately not featuring his signature acoustic slide)."
In the song, Sleepy Hallow uses a melodic delivery over a beat of guitar and drums with a melancholy tone and lyrics about his loneliness and mistrust: "I just wanna slide, huh / Parties in the sky like it's 2055, huh / She said 'Boy you nice, boy you nice', huh / Heart cold like some water and some ice (Huh)".
Beyond recorded a Japanese version, "Haruka naru yume ni ~Far away~" (遥かなる夢に 〜Far away〜, literally "A Faraway Dream"). In the 2003 Hong Kong movie Truth or Dare: 6th Floor Rear Flat , the song was performed live by Teresa Carpio , where it was interpreted as the sacrifice a mother had made for her son.