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The poem's emphasis on imagination as subject of a poem, on the contrasts within the paradisal setting, and its discussion of the role of poet as either being blessed or cursed by imagination, has influenced many works, including Alfred Tennyson's "Palace of Art" and William Butler Yeats's Byzantium based poems. [71]
In 1820, Wordsworth issued The Miscellaneous Poems of William Wordsworth that collected the poems he wished to be preserved with an emphasis on ordering the poems, revising the text, and including prose that would provide the theory behind the text. The ode was the final poem of the fourth and final book, and it had its own title-page ...
"Composed upon Westminster Bridge, 3 September 1802" is a Petrarchan sonnet by William Wordsworth describing London and the River Thames, viewed from Westminster Bridge in the early morning. It was first published in the collection Poems, in Two Volumes in 1807.
His poetry achieves a sense of cohesive structure and beauty through the internal patterns of sound, diction, specific word choice, and effect of association. [50] The poem uses many of the literary techniques associated with the pastoral elegy, a meditative lyric genre derived from the poetic tradition of Greek and Roman antiquity.
Poems Composed or Suggested during a Tour in the Summer of 1833 1835 Nun's Well, Brigham 1833 "The cattle crowding round this beverage clear" Poems Composed or Suggested during a Tour in the Summer of 1833 1835 To a Friend. (On the Banks of the Derwent) 1833 "Pastor and Patriot!—at whose bidding rise"
The poem, originally titled A Visit or A Visit From St. Nicholas, was first published anonymously on Dec. 23, 1823, in a Troy, New York newspaper called The Sentinel.
During the time Sterling was writing "The Testimony of the Suns," his poem's subject seemed to change. Two-and-a-half months into writing it, he said: "the whole poem will be on life, or rather the human portion of life." [15] Two-and-a-half weeks later he explained: "As for God, I fear I'll have to leave him in. The poem being a polemic ...
Helder Guimarães and Frank Marshall created the rare COVID-era theater hit with "The Present." They're back with "The Hope Theory," a magic show about the immigrant experience.