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The Institute of Hán-Nôm Studies (Vietnamese: Viện nghiên cứu Hán Nôm; Hán Nôm: 院研究漢喃), or Hán-Nôm Institute (Vietnamese: Viện Hán Nôm, Hán Nôm: 院漢喃) in Hanoi, Vietnam, is the main research centre, historical archival agency and reference library for the study of chữ Hán and chữ Nôm (together, Hán-Nôm) texts for Vietnamese language in Vietnam.
Tam thiên tự (chữ Hán: 三千字; literally 'three thousand characters') is a Vietnamese text that was used in the past to teach young children Chinese characters and chữ Nôm.
The main Vietnamese term used for Chinese characters is chữ Hán (𡨸漢).It is made of chữ meaning 'character' and Hán 'Han (referring to the Han dynasty)'.Other synonyms of chữ Hán includes chữ Nho (𡨸儒 [t͡ɕɨ˦ˀ˥ ɲɔ˧˧], literally 'Confucian characters') and Hán tự [a] (漢字 [haːn˧˦ tɨ˧˨ʔ] ⓘ) which was borrowed directly from Chinese.
Thị is a most common female middle name, and most common amongst pre-1975 generation but less common amongst younger generations. Thị (氏) is an archaic Sino-Vietnamese suffix meaning "clan; family; lineage; hereditary house" and attached to a woman's original family name, but now is used to simply indicate the female sex. For example, the ...
Sino-Vietnamese vocabulary (Vietnamese: từ Hán Việt, Chữ Hán: 詞漢越, literally 'Chinese-Vietnamese words') is a layer of about 3,000 monosyllabic morphemes of the Vietnamese language borrowed from Literary Chinese with consistent pronunciations based on Middle Chinese.
According to statistics by Nguyễn Thị Lan, Tự Đức thánh chế tự học giải nghĩa ca holds the largest collection of Chinese characters that are annotated with chữ Nôm. [9] Hà Đăng Việt states that the Nôm in the book mainly uses three methods of creating characters, giả tá 假借 (phonetic loan), hình thanh 形聲 ...
Đinh Bộ Lĩnh was born in 924 in Hoa Lư (south of the Red River Delta, in what is today Ninh Bình Province).Growing up in a local village during the disintegration of the Chinese Tang dynasty that had dominated Vietnam for centuries, Đinh Bộ Lĩnh became a local military leader at a very young age.
The preservation of Chữ Nôm practiced by the foundation involves different approaches, such as the electronic font carving, ideograms entered into Unicode and the International Standard (regulated by ISO), digitization for displaying Nôm on the Internet and the revival of ancient works in literature, history, culture, musics and the arts (e.g. the chamber music called ca trù).