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Peneus averts his gaze as Apollo, pierced by Cupid's arrow of desire, pursues Daphne, transforming into the laurel (Apollo and Daphne, 1625, by Poussin) River gods consoling Peneus for the Loss of his Daughter, Daphne
Blackstone argues that God 'has so intimately connected, so inseparably interwoven the laws of eternal justice with the happiness of each individual, that the latter cannot be attained but by observing the former; and, if the former be punctually obeyed, it cannot but induce the latter.
All told, we have a more-than-worthy addition to the Bethel Music canon and a few new songs with which to praise our very Holy God." [ 15 ] Awarding the album four and a half stars from NewReleaseToday, Kevin Davis states, " Starlight is best described as a stellar worship offering with an empowering theme of the Lord's Kingship reigning in our ...
Abbie Stockard declared victory over 51 other contestants. She credited her relationship with God for giving her the drive to become a positive role model on a public platform.
The God's Not Dead film series consists of American Christian-drama films, based on the book of same name authored by Rice Broocks. The overall plot centers on a Christian pastor named Rev. David "Dave" Hill, who argues for the reality of God through a number of occurrences, in a modern-day society.
God is not omnipotent in the classical sense and so God does not provide support for the status quo, but rather seeks the actualization of greater good. God exercises relational power and not unilateral control. In this way God cannot instantly end evil and oppression in the world. God works in relational ways to help guide persons to liberation.
"The Jubilee calls us to spiritual renewal and commits us to the transformation of our world," said the pontiff. "A time of jubilee for the poorer countries burdened beneath unfair debts; a time ...
The poem is an ode, and its subject is the pursuit of the human soul by God's love - a theme also found in the devotional poetry of George Herbert and Henry Vaughan. Moody and Lovett point out that Thompson's use of free and varied line lengths and irregular rhythms reflect the panicked retreat of the soul, while the structured, often recurring refrain suggests the inexorable pursuit as it ...