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Style brisé (French: "broken style") is a general term for irregular arpeggiated texture in instrumental music of the Baroque period. It is commonly used in discussion of music for lute, keyboard instruments, or the viol. The original French term, in use around 1700, is style luthé ("lute style").
French lute music declined during the second part of the 16th century; however, various changes to the instrument (the increase of diapason strings, new tunings, etc.) prompted an important change in style that led, during the early Baroque, to the celebrated style brisé: broken, arpeggiated textures that influenced Johann Jakob Froberger's ...
The lautenwerck (also spelled lautenwerk), alternatively called lute-harpsichord (lute-clavier) or keyboard lute, is a European keyboard instrument of the Baroque period. It is similar to a harpsichord , but with gut (sometimes nylon ) rather than metal strings (except for the 4-foot register on some instruments), producing a mellow tone.
Jan Antonín Losy, Count of Losinthal (German: Johann Anton Losy von Losinthal); also known as Comte d'Logy (Losi or Lozi), (c. 1650 [1] – 22 August 1721 [2]) was a Bohemian aristocrat, Baroque lute player and composer from Prague. His lute works combine the French style brisé with a more Italian cantabile style. He was probably the most ...
In 1600, Francisque published a unique collection of lute pieces: Le trésor d’Orphée, livre de tablature de luth contenant une Susane un jour, plusieurs fantaisies, préludes, passemaises, gaillardes, pavanes d’Angleterre, pavane espagnolle, fin de gaillarde, suittes de bransles tant à cordes avalées qu’austres, voltes & courantes mises par Antoine Francisque.
Tablature is common for fretted stringed instruments such as the guitar, lute or vihuela, as well as many free reed aerophones such as the harmonica. Tablature was common during the Renaissance and Baroque eras, and is commonly used today in notating many forms of music. Three types of organ tablature were used in Europe: German, Spanish and ...
The composition is written on the next two pages, on systems of two staffs, with a soprano clef for the upper staff, and a bass clef for the lower staff. Although, in the first half of the 18th century, a tablature notation was common for lute compositions, Kellner thus wrote the Prelude down in a notation which at the time was customary for keyboard compositions. [10]
Tablature de luth et de théorbe (c. 1675 [8] or 1680 [9] [10]) Theorbo pieces by Charles Hurel, together with lute and theorbo pieces by many other composers can be found in the manuscrit Vaudry de Saizenay [ fr ] (c. 1699) housed at the Bibliothèque municipale de Besançon .